jwiggler

joined 2 years ago
[–] jwiggler@sh.itjust.works 1 points 2 days ago

Cats pretend aggression when playing with each other

[–] jwiggler@sh.itjust.works 20 points 2 days ago

Emperors new groove is the only one up there in snark for me

[–] jwiggler@sh.itjust.works 18 points 3 days ago (8 children)

Ken Lacorte

The former...Fox News executive? Who killed the Trump-Stormy story before the 2016 election... uhhh.. yeah im not fucking trusting that dude.

https://en.wikipedia.org/wiki/Ken_LaCorte#Alleged_Fox_News_Trump_cover-up

 
[–] jwiggler@sh.itjust.works 33 points 5 days ago

I do not believe that which was created through collective labor should be able to be enclosed, so that the encloser can extort others for access.

The house was not built by its owner. It was erected, decorated, and furnished by innumerable workers--in the timber yard, the brick field, and the workshop, toiling for dear life at a minimum wage.

The money spent by the owner was not the product of his own toil. It was amassed, like all other riches, by paying the workers two-thirds or only a half of what was their due.

Moreover--and it is here that the enormity of the whole proceeding becomes most glaring--the house owes its actual value to the profit which the owner can make out of it. Now, this profit results from the fact that his house is built in a town possessing bridges, quays, and fine public buildings, and affording to its inhabitants a thousand comforts and conveniences unknown in villages; a town well paved, lighted with gas, in regular communication with other towns, and itself a centre of industry, commerce, science, and art; a town which the work of twenty or thirty generations has gone to render habitable, healthy, and beautiful.

A house in certain parts of Paris may be valued at thousands of pounds sterling, not because thousands of pounds' worth of labour have been expended on that particular house, but because it is in Paris; because for centuries workmen, artists, thinkers, and men of learning and letters have contributed to make Paris what it is to-day--a centre of industry, commerce, politics, art, and science; because Paris has a past; because, thanks to literature, the names of its streets are household words in foreign countries as well as at home; because it is the fruit of eighteen centuries of toil, the work of fifty generations of the whole French nation.

Who, then, can appropriate to himself the tiniest plot of ground, or the meanest building, without committing a flagrant injustice? Who, then, has the right to sell to any bidder the smallest portion of the common heritage?

Kropotkin

[–] jwiggler@sh.itjust.works 30 points 1 week ago

honestly, choked up at the end. the frustration is just so real and its so cathartic to see someone say it how it is

[–] jwiggler@sh.itjust.works 53 points 1 week ago

This episode is fucking amazing and so cathartic.

[–] jwiggler@sh.itjust.works 2 points 1 week ago

I liked Deadlock before, but I'm more of a casual player so there was some pain playing full matches. I've always been really weak at the item-buying aspect of MOBAs.

Street brawl is perfect for me. Its really a brilliant way to learn what items do what in a very natural way. The UI and QOL changes they made are also so impressive.

It's just refreshing to see such a huge huge content update to a game. I've never been so impressed. Valve is the fuckin real deal.

[–] jwiggler@sh.itjust.works 1 points 2 weeks ago

Which body do you have? The 17mm 1.2 is comfortable on the larger-bodied om1, but people say it's a bit big on the the smaller Olympus bodies. The 17mm 1.8 is tiny though and fits nice on the om-3 style bodies

[–] jwiggler@sh.itjust.works 2 points 2 weeks ago (2 children)

Thanks. I got a different copy from KEH rather than eBay -- lo and behold! this shit sharp lol

[–] jwiggler@sh.itjust.works 6 points 2 weeks ago (1 children)

What version of proton are you using? Whenever I have weird issues with a game, usually the thing that fixes it is switch proton version. GE proton 10-28 has been working well for me so far across all my games.

[–] jwiggler@sh.itjust.works 2 points 3 weeks ago (4 children)

I took a look at the interior of the lens by shining my phone light through the back of the lens toward the front, and I saw quite a bit of ...erhm... smearing? on the front element of the lens. I'm thinking it may just be a bad copy. Initiated a return

 

I recently purchased an M. Zuiko 17mm f1.2 lens after reading it's the sharpest lens in the micro four thirds system. I have the 25mm f1.2, and it's been wonderful -- even wide open -- but all the technical lens tests say it is a step below the 17mm f1.2 and the 45mm f1.2 in terms of sharpness.

Ive been testing this new 17mm lens and I immediately noticed it is almost unusably sharp wide open -- not something I'm used to since I can use the 25mm wide open and achieve very good sharpness. The 17mm wide open leaves quite a bit more to be desired, which is not what I expected based on the reviews online.

Stopping down to 2.0 the 17mm does get very sharp and far more useable, but I'm a bit disappointed by its performance wide open so far.

Maybe someone can take a look at these test shots of a wall, tell me if theyre worth anything at all in terms of being able to tell why this is happening (ie, maybe it could be due to the focal length being wider, or the field curvature being more curved or something? I was thinking, maybe it's that with closeups at 17mm the DOF is so shallow that there isn't much there to be in focus l, but I don't think that's it)

((Also I'm not asking whether either of these shots are usable, really only using them to compare the sharpness wide open of these two lenses))

Feeling like maybe I should just return the 17mm and use the 12-40 f2.8 I have on the shelf if I ever need to go wider than 25mm.

[First pic is 17mm, second is 25mm, distance from wall is ~1m]

 

Hello all

I was hoping to get some advice on editing these two photos I took with my OM-1 in hi-res mode. I have pretty limited experience editing in darktable (or editing digital files, at all. in fact, I pretty much suck lol) , and find myself getting burnt out during editing sessions where ill think my image looks good, ill step away, come back and think its not great.

In this case, I'm having trouble getting my edited raw images to look as good (here, in this case, I'm mostly talking sharpness) as the OOC jpeg. I guess Olympus does quite a bit of sharpening? I'm a bit more confident in my colorgrading/saturation/exposure adjustments but for these particular images I feel like I could work on them forever and never be satisfied.

Was wondering if I could get some advice on these images. I've included the raw files, the OOC jpegs, and my lightly edited images in this album. I was hoping to see if anyone would be willing to do a quick edit themselves to see if they are able to make a good image out of these rawfiles, but that's quite a bit of work, so any advice would be greatly appreciated. Thanks!

Edit: whoops, i lied. the landscape shot PA172635 is not hi-res, its regular 20MP. I've added two more OOC jpegs and their rawfiles (both hi res) that I selected and thought looked best out of all the photos i took today.

 
 

 
 

São Miguel, Azores, Portugal

 

Água de Pau, São Miguel Island, Portugal

Edit: I have swapped in the picture with a different edit. this one has less noise and is a bit darker. I definitely under exposed this image, somehow. there is a lot of noise. im not sure how, since it was so sunny i usually am using one stop more light than sunny 16, so this was likely around f11 250....

 

Hey all, I'm interested in playing some emulated games on my steamdeck, but I'm not sure where to start.

I've been having fun with Super Mario World, but a good chunk of that is because I played it a lot as a kid, so much of my enjoyment is from nostalgia.

Problem is, I didn't play many too many games when I was a kid...

What older games out there would you say hold up in 2025? So that regardless of the nostalgia factor, they can be enjoyed by someone like me

 
 

I primarily use Gnome desktop (x11) with Ubuntu because I'm pretty comfortable with it, I like the minimalist, modern style, I enjoy the smoothness, and I don't feel like I need to customize everything. Plus, having familiarity with the desktop, out-of-box experience helps me when installing and reinstalling, which I do often because of work.

The issue with it, however, is I can't really play games smoothly on it, specifically Rocket League. On Plasma, I was able to achieve smoothness (not just high framerate, but also input -- erm, latency? lag? not sure the term here) by installing the liquorix kernel, using the proprietary nvidia drivers, and -- here is the key -- hitting Shift+Alt+F12 to disable with the compositor. After that, I get a nice smooth experience in Rocket League, which is essential since it's a game that is dependent on quick reactions and physics.

But with Gnome, there is no disabling the compositor this way. Supposedly Gnome handles this by allowing apps to bypass the compositor if they're in fullscreen mode, but it does not seem that Rocket League does this. I did set it to full screen, turned off the second monitor, but it still felt like there was a delay between when I pressed a button on the controller and when the car reacted. The framerate is still at 144, but its not playable with this amount of input lag. Honestly, feels kinda like if vsync were on. I did read that mutter forces vsync on, but not sure how reliable that is.

I don't mind logging out and switching my desktop to Plasma, but it would be nice if I could just stick with Gnome. I very much like how it handles workspaces, and yeah, I know I could probably configure Plasma to do somewhat of the same thing, but it just doesn't feel the same to me.

Anyone have RL running smoothly on Gnome?

Edit: whoops, yes, running through proton. I forget what version at the moment...

 

Edit: Read this first. The solution was to not try to do everything online and go to a local music/record/vintage audio equipment shop and chat with the folks there. They were super nice, showed me the gear they recommended, and now I've got a nice sounding vintage setup that may not be audiophile worthy but is super awesome to me.

Hi there all, beginner audiophile here. Trying to build out my first turntable setup.

I decided on a Fluance RT82 and Douk X1 for a preamp. Now, when selecting speakers, I decided I'd just buy a second pair of the studio monitors I was using on my computer, Kali LP-6.

Now I'm a bit confused on the connections. The RT82 comes with an RCA cable and ground cable I'll connect to the Douk preamp, so that is covered. But the preamp has 4 speaker outputs that are binding posts. There is only a single RCA input on each monitor, so I'm not sure how to connect the preamp to the monitors.

I did see someone online say "why would you connect a preamp to LP-6? They already have amplifiers in them" But I also saw another person who had a TT setup with the LP-6es, which included a pre amp.

Any advice would be appreciated!! Or reading materials. The douk manual isn't much help.

view more: next ›