SDF Chatter

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SDF

Support for this instance is greatly appreciated at https://sdf.org/support

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Our port to Android 16 QPR1 which was to AOSP on November 11 is currently being tested internally. Several important regressions have been discovered and we're working on resolving those before we release it for public testing. A few minor features also still need to be ported.

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Ian Scott, vintage computing enthusiast and maker of the Raspberry Pi Pico-powered PicoGUS soundcard and CD drive emulator for classic computers, has teased a new creation designed to add easily-controllable storage to IDE-based systems: the PicoIDE.

"All I can say about PicoIDE is this," Joe Strosnider, who plans to resell Scott's latest invention, says: "It's going to be the biggest thing for vintage computers. Ever. Take Platinum Filament, Retrobrite, BlueSCSI, PicoGUS, and PicoMicroMac combined. Then multiply that by about 20."

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For sale: skin (lemmy.world)
submitted 11 minutes ago by mcz@lemmy.world to c/buyselltrade
 
 

Keep in mind it's just the skin

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Original YT Video: https://www.youtube.com/watch?v=4oZlt9Dl43I

The 3Dfx Voodoo 2 and the Nvidia Riva TNT were the pinnacles of the early era of 3D graphics. Both were released in 1998, and while I owned the latter, the Voodoo 2 was the faster of the two, despite the inconvenience of requiring an existing 2D graphics card. The Voodoo 2 is naturally memorable, and it's a regular presence in retro PC builds. As the YouTube channel Bits und Bolts (Bits) found out, the cards' capacitors can and will fail in time due to the rarely discussed pyroelectric effect.

In a lengthy video, Bits diagnoses why one of his Voodoo 2 cards is intermittently failing with graphical corruption, with no apparent pattern other than the issues appearing after a short time of use. After much digging, he figures out that the problem seems related to the card's power-delivery circuitry by inspecting how resistance changed at the component that converts 5 V to 3.3 V.

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Original YT Video: https://www.youtube.com/watch?v=LSMQ3U1Thzw

Over on YouTube, [Ben Eater] pursues that classic 8-bit sound. In this video, [Ben] integrates the MOS Technology 6581 Sound Interface Device (SID) with his homegrown 6502. The 6581 SID was famously used in the Commodore line of computers, perhaps most notably in the Commodore 64.

The 6581 SID supports three independent voices, each consisting of a tone oscillator/waveform generator, an envelope generator, and an amplitude modulator. These voices are combined into an output filter along with a volume control. [Ben] goes into detail concerning how to configure each of these voices using the available facilities on the available pins, referencing the datasheet for the details.

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For a long time, what is now considered to be a prime candidate for the title of the ‘world’s first microprocessor’ was a very well-kept secret for nearly 30 years. The MP944 is the inauspicious name of the chip we want to highlight today. It was developed to be the brains behind the U.S. Navy’s F-14 Tomcat’s Central Air Data Computer (CADC). Thus, it isn’t surprising that the MP944 was a cut above the Intel 4004, the world’s first commercial microprocessor, which was designed to power a desktop calculator.

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submitted 13 hours ago* (last edited 12 hours ago) by jawa22@lemmy.blahaj.zone to c/rant
 
 

This is just a partial list of this POS's ban and block evasion tactics. Every two to three days, this asshole forces an instance to federate out, wasting their resources, and doesn't give a shit who has banned or tried to block them. Then a large number from every one of these account is very heavily upvoted. Oh, that isn't suspicious at all, especially when over 90% of what this fuckwqd posts is the laziest kind of repost (just blatantly ripped from .ml in a likely automated way similar to the the account creation likely is since they will make accounts on instances less than a day old).

I am fucking tired of this shitty, bad faith action and this is proof that it is high time that an instance needs the ability to straight up perma ban a username from any instance. I am aware that PieFed has this feature and right now it seems like something so incredibly basic. One person has the power to make all of Lemmy effectively useless, and it needs to stop being that way immediately.

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Check out the interview with @GrapheneOS’s very own @metr0pl3x community team moderator and project member featured on David Bombal’s latest video!

https://youtu.be/eUEtc6gblK0

Thanks for doing this David and Metroplex!

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cross-posted from: https://lemmy.zip/post/53157024

It's not a matter of if; rather when.

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cross-posted from: https://lemmygrad.ml/post/9782130

It's a church non-profit classified as a "retail" thrift store.

Meant to aid the homeless and needy.

Here in Virginia, I needed it.

I certainly needed the income because my funds or money have dried up or almost have.

But goddamn, tomorrow's the first day.

It's a small building and it's pretty homely from what I've seen of it.

Commute is 30 minutes long, but I'm transferring to another area that's about 10 to 15 minutes away in a month or two.

I'm on a probationary period as a full-time worker for three months so my job seems safe for the time being.

But I have to do cashier-work, pricing and stocking, and lift to about 50 lbs., among other retail work.

Honestly? Nobody ever had me do cashier-work before in all the time I've worked retail before. Is there a video or source online that walks you step-by-step on how to do it? And what about pricing and stocking items?

Usually, I did backroom work before and even that I found a bit hard.

I get paid $13.00, which is more than I received before.

They said it would be busy now.

I'm sure I can do it... but goddamn, I'm nervous...

lenin facepalm

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Creatures - The List (lemmy.sdf.org)
submitted 1 day ago by pmjv to c/funhole
 
 
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I got this pipe in a lot of 5 pipes and I am not sure what it is. It could be KAJ but the K is kind of weird..

Also has a 'Handmade in Denmark' stamp. I live in Denmark so the well known ones could sell for pretty cheap

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Filmmaker Rachel Handler Wants Your Healthcare Bill Horror Stories

July 29, 2025

Ever had an insurance claim denied for a much-needed prosthesis? Lost coverage due to confusing fine print or technicalities? Got saddled with an obscene pharma bill? Struggled to find an affordable ACA plan? Award-winning filmmaker Rachel Handler is training her lens on disabled people who’ve been told, in essence, that their health isn’t profitable enough to pay for.

Handler is using a grant from Adobe to expand her 2020 short “How Much Am I Worth?” into a full-length feature. The original five-minute documentary, an award-winner in the 2020 Easterseals Disability Film Challenge, illustrated how the US healthcare system had failed four women with disabilities. The feature-length format will allow Handler to get far more voices into the mix. In addition to a telling a broader range of in-depth stories, she’s planning a coda in which dozens of people share brief summaries of their unhappy run-ins with insurers, hospitals, clinicians, government agencies, and other health system gatekeepers.

“Our goal for the end of the film is to feature at least 50 people talking about denials they’ve received from the health system,” Handler explains. “We want to have short clips where people talk about how their insurance wouldn’t cover their diabetes medication, or they got stuck with an $800 bill for a basic service. The ultimate goal is to focus on how people persevere through these hardships with resilience.”

If you’ve got a story to share, get in touch with Handler via Instagram DM; the project’s handle is @howmuchamiworth. We connected with Handler last week to learn more about the project. Our conversation is edited for length and clarity.

There’s been quite a bit of change in the health care landscape since 2020. Will you track those ups and downs in the film, or are you focus on the landscape as it exists in July 2025, post “Big Beautiful Bill”?
We’ll be focusing on what’s going on in people’s lives right now. So in my case—my own story will be in the film—I’m looking for new health insurance on the ACA marketplace. And it’s really expensive. New York State just doesn’t have good options for freelancers. We’ll probably follow my journey into next year to see if any of the changes in the federal bill affect my coverage and the pricing on the marketplace.

Another person we’ll be featuring uses Medicaid for herself and her children, so it will be interesting to see how those cuts affect her. Andrea, who is a nurse in a wheelchair, hasn’t had a wheelchair covered by insurance in many years, and she’s trying to raise money for a new wheelchair through crowdfunding and sponsorships. The ultimate goal is to be able to track these intense situations from beginning to middle to end, so the audience can get a sense of completion within each story.

You’ve had a number of different films do well in the Disability Film Challenge, and you could have applied for Adobe grants to keep working on any of them. Why did you single out this project as the one you wanted to do something more with?
This one seemed like the obvious choice because it is so timely. Ever since I made it, I’ve been wanting to expand it. I’ve been having people come up to me after they see screenings of it, asking for more information. They want to take it to their elected representatives. So I’ve been wanting to expand this since 2020, because health care and health insurance have only gone downhill from there. I love the other films I’ve done, but this one was my priority.

What’s your your timeline for shooting new footage and doing all the post-production and everything else that needs to occur.
I want to use this grant to produce a sizzle reel that we can show by the end of the year. We’re starting to film in August, and we’re hoping to be done with that by October and start post-production in the fall. We’ll use that to continue fundraising from other sources.

I’m in a documentary filmmakers fellowship, and the director of Patrice came in and talked to us. Patrice is an incredible documentary on Hulu. He told us they shot a sizzle reel—like, four scenes—and pitched that to Hulu, and Hulu loved it and gave them a budget to make the film. That’s really unheard of. We’re hoping that once we have some more footage and that start of a narrative throughline, that will help us get more money involved.

Are there documentaries you have admired that you would like to capture some flavor of?
Well, I want to steal everything Patrice did. It’s so well done, and it’s beautiful to watch. I think our approach will be a little more verite. We want the film participants to sort of forget that we’re there and just capture what’s actually like happening in a very natural way, so we can be as truthful as possible. They did that nicely in Patrice. It’s just the cameraman and the two subjects in a room. That’s sort of the vibe that I would love to have for this.

I also just watched Deaf President Now, and I really loved how well they showed the hardships of being disabled, but also the ridiculous amount of strength we have in our community to overcome and persevere and take charge of our own lives. I want to portray that kind of resilience and empowerment in this film, too.

I have the impression that five years ago, when you made the original short for the Disability Film Challenge, it wouldn’t have been realistic to think about pitching a project like yours to Hulu. But today, that’s a real possibility. What do you think is behind this shift?
I think that people are always fascinated by documentaries, specifically when it comes to the disability community. We’ve always been almost hidden in the shadows, so I think that’s been a really positive shift to get more of our voices out there. But when it comes to narrative storytelling, we still have a really long way to go, especially with casting authentically and making stories that are disability inclusive and authentic. The more we can get these documentaries out the better, because then people in Hollywood can see beyond the stereotypes. I feel like documentary filmmaking is getting it right when it comes to being disability inclusive, and it’s getting the recognition it deserves. But that’s not really the case with narrative fiction filmmaking yet.

Tags: Disability Film Challenge film movies Rachel Handler

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cross-posted from: https://lemmy.sdf.org/post/45707079

Archived

In late November 2022, for a brief moment, Shanghai appeared to loosen the grip that had defined its pandemic years. On Wulumuqi Road normally an unremarkable thoroughfare residents gathered with candles to mourn ten people who died in a fire in far-off Urumqi. Local accounts later described how the victims, trapped behind locked exits during a COVID lockdown, became symbols of a policy that had exhausted the country long before the flames claimed their lives.

What began as a quiet vigil on 26 November evolved into the most overt public challenge to the Chinese leadership since the Tiananmen demonstrations more than three decades earlier. The crowds swelled, some chanting slogans that would have been unthinkable only weeks before. Yet the opening proved fleeting. By the morning of 28 November, the street was deserted. The sudden silence was not organic it was engineered.

The speed with which authorities restored control demonstrated not only the strength of China’s policing apparatus but the degree to which three years of pandemic management had equipped the state with an unusually detailed map of its citizens’ movements, networks, and vulnerabilities. The crackdown that followed was not a spontaneous reaction to dissent. It was the culmination of a system refined through data, surveillance, and the routinisation of extraordinary powers.

The turning point came in the early hours of 27 November. As more demonstrators assembled some holding blank A4 sheets as understated rebuttals to censorship plainclothes officers blended into the crowd. Witnesses later described people being pulled into police vans at around 4:30am. Among those seized was Ed Lawrence, a BBC journalist detained and beaten while covering the protest. Beijing later insisted he had “failed to identify himself”, a claim rejected by the broadcaster.

[...]

The censorship campaign that followed was comprehensive and efficient. Searches for “Shanghai,” “Wulumuqi Road,” and “Urumqi fire,” which normally generated millions of posts, began returning only a handful. References to “white paper,” “A4,” and related hashtags vanished across Weibo and WeChat.

[...]

By Monday morning, the authorities had all but erased digital traces of the protest. The memorials had been cleared, and the street resumed its familiar subdued rhythm.

[...]

Where previous generations of Chinese protest movements relied on anonymity faces in a crowd the demonstrators of 2022 faced an entirely different environment. China’s security apparatus had spent years constructing one of the world’s most extensive networks of facial recognition cameras, combined with compulsory health-code apps, QR-based movement tracking, and real-time linkage of mobile phone data to personal identity.

This infrastructure, designed and justified through the zero-COVID period, played a decisive role in identifying attendees. Multiple participants later reported receiving calls or home visits from police within 24 hours of the vigil. One, a protester identified only as Zhang, took elaborate steps to avoid detection: wearing a balaclava, switching jackets, and navigating backstreets. Yet his phone had connected to towers near the demonstration. The next day, police rang to ask about his whereabouts: minutes later, they arrived at his door.

[...]

Those detained included university graduates, publishing editors, and a state media journalist, Yang Liu. Among the most well-known was Cao Zhixin, an editor at a publishing house, who was taken into custody alongside several friends. Videos recorded before their arrests pleaded that if they disappeared, it was because they had attended the vigil.

[...]

Comparisons with 1989 are inevitable, but they also illustrate how China’s methods have evolved. Where Tiananmen relied on overwhelming military force, Shanghai’s protest was extinguished with algorithms, phone data, and targeted detentions. The absence of visible violence made the repression less conspicuous but no less effective.

This model carries implications far outside China’s borders. Through its Belt and Road Initiative, Beijing has supplied surveillance infrastructure including camera networks, cloud-based monitoring systems, and facial recognition software to dozens of countries. Several African states have adopted variants of these tools to monitor domestic unrest. Human rights groups warn that the technology exported is often calibrated using data gathered from China’s own population, sometimes optimised for use on minority ethnic groups abroad.

The Shanghai crackdown demonstrated how these systems can function when deployed at scale: quick identification, quiet detentions, minimal public spectacle.

[...]

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the list (lemmy.sdf.org)
submitted 1 day ago by pmjv to c/unix_surrealism
 
 
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the new egg (lemmy.sdf.org)
submitted 1 day ago by pieguy to c/funhole
 
 
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http://archive.today/2025.11.15-105312/https://www.nytimes.com/2025/11/15/us/politics/tucker-carlson-fuentes.html

During three hours of interviews driving to and from a quail hunting site outside Fort Myers, Mr. Carlson was by turns indignant, reflective and seething — and thoroughly unrepentant for having roiled the conservative movement with the interview, or for his own escalating attacks on those who support Israel.

“Israel does not matter,” he said from behind the steering wheel, casually contradicting the view of Mr. Trump and every president before him, while his two spaniels sat in the back seat. “It’s a country the size of what, Maryland? It has a population of nine million. It has no resources. It’s not strategically important. In fact, it’s a strategic liability.”

Last month, Tucker Carlson’s genial interview with the white nationalist Nick Fuentes detonated a bomb that further fractured the Trump-era conservative movement he once helped galvanize. This month, Mr. Carlson decided to escape the wreckage for weeks of bird hunting in Maine, South Dakota, Nebraska and Southwest Florida.

In choosing not to challenge Mr. Fuentes’s antisemitism during their discussion on his popular YouTube show, Mr. Carlson focused furious new attention on whether he was deliberately mainstreaming views that were once embraced only on the fringes of American politics — and, in particular, whether he was seeking to further inject far-right ideology into the Republican Party as it begins to think about what it will stand for after President Trump leaves office.

On one level, the debate brought into focus by Mr. Carlson is about the line between free speech and hate speech. On another, it is about whether American conservatism needs to do more to expel racism and extremism from its dialogue and policies. The fissures over those questions are growing more pronounced among Republicans, a shift that is evident in the angry reaction among many on the right to Mr. Carlson’s handling of Mr. Fuentes and his increasingly vocal criticism of American policy toward Israel.

The interview was in many ways the culmination of Mr. Carlson’s growing feud with conservative fellow travelers. Long a standard-bearer for President Trump’s “America first” mantra, Mr. Carlson, 56, openly criticized the president in June for straying from his principles and for “being complicit in the act of war” by bombing three Iranian nuclear sites in cooperation with the Israeli government.

In the months following the airstrikes, Mr. Carlson continued to question Israel’s strategic value to the U.S. In early September, after the Turning Point USA conservative activist Charlie Kirk vowed that Mr. Carlson would still be speaking at the group’s events, a pro-Israel donor angrily revoked a $2 million pledge to Turning Point.

“I’ve never gotten along better with him,” Mr. Carlson said of the current status of his relationship with Mr. Trump. “He’s never been nicer.” But, Mr. Carlson conceded, his attacks on Israel, along with his gentle treatment of Mr. Fuentes, cost him friendships and led to death threats.

“I just want to be clear about this: I knew what would happen,” Mr. Carlson said of the reaction to his anti-Israel posture. “And I felt that, at this point in my life, I can take it. And it’s worth it, because I want to force a rational public conversation about what’s in our country’s interest.”

“The most dispiriting fact of the last nine months is that huge proportions of the institutional Republican Party all kind of hate free speech every bit as much as the left does,” he said. “They are every bit as censorious as some blue-haired, menopausal Black Lives Matter activist. And I just didn’t know that. And I’m disgusted. I feel betrayed. I take it personally.”

Mr. Carlson, who has often been derided for his claim that he is “just asking questions” when his questions center on conspiracy theories, is starting to find some conspiratorial answers. On a recent show, he described the race-related riots of 2020 as “a manufactured crisis” that had been staged in an effort “to effect broad social change.” In another episode, Mr. Carlson referred to the coronavirus pandemic as a “creation.” The Jan. 6, 2021 riot at the Capitol? “The whole thing was managed.”

Mr. Carlson has also produced a documentary about the 9/11 terrorist attacks. The U.S. government, he said, “had foreknowledge” of the attacks on the World Trade Center, as did “other actors.”

But Mr. Carlson said that his foremost concern is what he sees as America’s misplaced priorities. Instead of U.S. policymakers attending to domestic challenges like skyrocketing housing costs and a crumbling health care system, he said, “We’ve spent the last 80 years administering a global empire. It’s commanded a massive percentage of our attention and money. That’s the core problem, which no one wants to say.”

In particular, Mr. Carlson said during the interview, America’s devotion to Israel was misplaced. He scoffed at its characterization as America’s one abiding ally in the dangerous neighborhood of the Middle East, saying, “Israel is not only not our most important ally in the Middle East, I’m not even sure they are an ally.”

Mr. Carlson went on to say that he did not altogether blame the Israeli government for “trying to get what it can” from the U.S. Rather, he found fault with American leaders in both parties for “handing over their sovereignty to an irrelevant country in exchange for campaign contributions or, in some cases, protection from blackmail. They’re the ones I have contempt for.”

Mr. Carlson said he abhors antisemitism and that he has numerous Jewish friends who share his qualms with the Israeli government. Still, his characterization of the Jewish state as a devious manipulator leeching resources from a great power is a familiar trope that has aroused suspicions.

“At best, I’d say he’s antisemitic-adjacent,” said Matthew Brooks, the chief executive of the Republican Jewish Coalition.

For that matter, Mr. Carlson himself once offered a similarly skeptical appraisal of the conservative politician Patrick J. Buchanan — who, Mr. Carlson said* on a political TV program in 1999, may protest that he was merely speaking “truth to power” and may very well have Jewish friends. But, Mr. Carlson said, “I do believe there is a pattern with Pat Buchanan of needling the Jews. Is that antisemitic? Yeah.”

Mr. Carlson acknowledged that, on certain levels, he is not who he once was. “I’ve changed my opinion on almost every big topic over the years,” he said, citing in particular his previous advocacy of the Iraq war as “one of the worst things I’ve ever done.”

Mr. Brooks of the Republican Jewish Coalition compared what he called “the fawning way’’ that Mr. Carlson handled Mr. Fuentes with his openly hostile interview of Senator Ted Cruz, the Texas Republican, the month before. The two argued over Israel, Russia and the U.S. bombing of Iranian nuclear sites. Mr. Cruz wondered aloud about Mr. Carlson’s “obsession with Israel,” causing Mr. Carlson to respond that the senator was accusing him of antisemitism “in a sleazy, feline way.”

“I have contempt for Ted Cruz,” Mr. Carlson said as he drove back from the quail hunt, where he managed to bag six birds. “Not just in his public positions, but in the way that he lives.” (Mr. Cruz, in a speech the previous evening, said of Mr. Carlson’s interview with Mr. Fuentes that he had “spread a poison that is profoundly dangerous.”)


* https://xcancel.com/MaxAbrahms/status/1985355112144044107

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It's time to revisit the battery damaged Apple Lisa from a couple weeks ago. I had a chance to test a couple of my boards in a working Lisa so I could rule out potential issues with these two boards.

Part 1

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