this post was submitted on 10 Apr 2025
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A new progressivism, one that embraces construction over obstruction, must find new allegories to think about technology and the future

Black Mirror fails to consistently explore the duality of technology and our reactions to it. It is a critical deficit. The show mimics the folly of Icarus and Daedalus – the original tech bros – and the hubris of Jurassic Park’s Dr Hammond. Missing are the lessons of the Prometheus myth, which shows fire as a boon for humanity, not doom, though its democratization angered benevolent gods. Absent is the plot twist of Pandora’s box that made it philosophically useful: the box also contained hope and opportunity that new knowledge brings. While Black Mirror explores how humans react to technology, it too often does so in service of a dystopian narrative, ignoring Isaac Asimov’s observation: that humans are prone to irrationally fear or resist technology.

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[–] LainTrain@lemmy.dbzer0.com 13 points 2 days ago* (last edited 1 day ago) (1 children)

It's a shame the nu-Trek is utter mass appeal apolitical dogshit that has nothing to say about anything except that Alex Kurtzman should not be let anywhere near a production of anything other than a Big Mac.

EDIT: By the way, if anybody is looking for something with the same sort of tight drama, clever storytelling and progressive politics (but not virtue signaling for its own sake) and confronting complicated issues and good people doing what's right overcoming them, but would also like it to be a bit more human, down to earth and character centric then trek veteran writer of TNG and DS9 - Ronald D. Moore and I - his biggest fan girl this side of the internet - would like to invite you to watch For All Mankind.

It is an alternate history show where the soviets "win" the race to the moon and the space race continues and every season is set in a new decade, or at least that is the tagline because underneath the goofy premise and out of context clips of the sea dragon or nuclear space planes or AK-47s wielded by cosmonauts on the moon, what you'll find is a tightly written complex drama about an ensemble cast of characters and their changing relationships to themselves, each other and the tumultous world around them.

The show covers everything from the consequences of operation paperclip, misoginy, red scare and cold war distrust to civil rights, feminism, yuppie culture, privatisation of space, startup culture, homophobia, labour unions, psychedelics, PTSD, opioids, threat of nuclear war, militarization and so, so much more.

I really can't say enough good things about it. Oh yeah - the licensed song choice is great. Petula Clark's The World Song, M83, Smashing Pumpkins, John Lennon screaming his lungs out in 'Well Well Well'? And that earworm song from actual IRL North Korea which is the first and only song I've ever heard of theirs? If only they didn't use 'Come as You Are' but oh well nothing's perfect.

The first season is a bit rough in places at the start as the show finds it's footing and the stupid generically modern intro animation and music really sucks but S2 is an actual masterpiece of TV.

[–] acosmichippo@lemmy.world 1 points 2 days ago

eh they try to be political they just suck at it.