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Nimona’s radical page-to-screen story changes were a queer necessity
(www.polygon.com)
All forms of queer news and culture. Nonsectarian and non-exclusionary.
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Blackheart -> Boldheart, Loinheart -> Goldenloin. It dials down the absurd humor in favor of pathos enough that the ending doesn't feel like tonal whiplash. It also keeps the queerness, maybe dials the transgender elements up a bit. It still works.
I didn't realize there were so many queer-centered stories in cinema that they had become formulaic.