ValueSubtracted

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[–] ValueSubtracted@startrek.website 3 points 15 hours ago (1 children)

Why would you need to put on a show?

Well it was a literal show to establish himself as the leader of his little pirate society, so I thought the ridiculous show trial worked. But I also think his motivation to be that sort of leader was a little out of left field.

Yes, good call. I can't believe I forgot to mention it, too!

I also wonder if a completely stabilized Omega molecule would even be viable as a power source - the original VOY episode doesn't seem to really touch on that, but it does seem like its energy potential comes from it being destabilized.

[–] ValueSubtracted@startrek.website 11 points 1 day ago (2 children)

But with The Daleks' Master Plan, the story was not sold overseas.

Censors in Australia and New Zealand deemed it too violent, and without their buy-in, selling to other markets was not profitable.

Combined with the move towards colour, the black and white story was thought to have little future value and consigned to the bin.

Every recovered episode is to be celebrated, but damn. This is impressive.

not seeing Discovery blipping first right as the blockade is lifted, at least a few seconds or a minute before all other ships warping in.

I had the same thought - let the first responders be the first responders!

Hopefully we'll see Stamets or someone show up as a guest lecturer at some point.

does anyone actually care about a gay character on Star Trek in the year 2026?

Well, yes - plenty of people care about, and celebrate, representation.

[–] ValueSubtracted@startrek.website 17 points 1 day ago (2 children)

Most of the investment — approximately $32 billion — is being drawn from a pool of money set aside almost four years ago by former prime minister Justin Trudeau's government to modernize NORAD, the binational North American air defence command shared with the United States.

So not necessarily new funds, but perhaps a more solid plan on what it will be spent on.

[–] ValueSubtracted@startrek.website 2 points 1 day ago (1 children)

That's pretty permissive overall - I like it.

[–] ValueSubtracted@startrek.website 2 points 1 day ago (1 children)

There have been some pilot projects with reduced speed zones in place for a couple of years now in certain neighbourhoods, but I don't think I've seen any data on the outcomes. I guess it tracks that they must be satisfied with them, for them to want to make the change citywide.

I haven't encountered too many of the "clutter" zones, but when I have, they have certainly done their jobs.

[–] ValueSubtracted@startrek.website 2 points 1 day ago (1 children)

reluctantly lowers the phone

[–] ValueSubtracted@startrek.website 9 points 1 day ago (3 children)

I am absolutely okay with Star Trek being just one of many franchises they're managing, and not the largest or most prominent.

In the case of SFA, I do think they'll be looking closely at the demographics - are they actually reaching the younger audience they were hoping to reach? I think that's far more important than "was it a top 10 show" or whatever other limited metrics are available to us.

 

When an old enemy resurfaces as an existential threat to the Federation, Nahla must outwit a vengeful foe with a personal vendetta against her — as our cadets and instructors undertake a dangerous, seemingly impossible, mission to save everyone and everything they hold dear.

Teleplay by: Alex Kurtzman & Kirsten Beyer

Story by: Noga Landau & Gaia Violo

Directed by: Olatunde Osunsanmi


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