If I understand correctly, the proposal would:
- terminate the Southwest Chief and Pennsylvanian service
- add a train with mixed consist of passenger cars and flat cars that will transport whole 18-wheelers, cab plus trailer, or charter buses
- will aim to do NYC to LA in 72 hours, or an average speed of at least 40 MPH (64 kph)
- introduce renovated or new bilevel passenger cars
- does not propose where or what facilities would be needed to drive vehicles onto the flat cars
- and somehow this can all be done by May 2026
What planet has this company been inhabiting that they think this is a reasonable proposal?
Just from the freight perspective, surely it would be simpler and easier to send intermodal freight by rail and then have short-haul trucking at the bookends, rather than what seems to be a boneheaded plan to put long-haul trucking on rails.
The shrinking interest in working long-haul truck routes will not be alleviated by spending rest time on a train, since the root complaint about the job is how much time is spent away from home and family. And I can't see why the host railroads would be fine with Amtrak -- aka the National Railroad Passenger Corporation -- carrying freight.
I sense something deeply amiss or even quite possibly scammy about this.
In a nutshell, voices are not eligible for copyright protection under USA law, whose hegemony results in most of the world conforming to the same. The principal idea for copyright is that it only protects the rendition of some work or act. A writer's manuscript, an artist's early sketches, a software engineer's source code, and a vocalist's audition recording, are all things that imbue their creator with a valid copyright, but only for that particular product of their efforts.
It is not permissible to copyright the idea of a space opera, nor a style of painting, nor an algorithm for a computer routine, nor one's own voice. Basically, pure thoughts cannot be copyrighted, nor things which are insufficiently creative like a copyright on the number 42, nor natural traits or phenomenon.
If we did change the law to allow the copyright of a human voice, then any satire or mockery that involves doing a good impression of someone speaking would suddenly be a copyright violation. This is nuts, because it would also deny someone else who -- by no fault of their own -- happens to have an identical voice. Would they just not be allowed to speak ever? Although intellectual property rights stem from the USA Constitution, so too do First Amendment speech rights, and the direct collision of the two would have strange and unusual contours.
For when ideas can be protected by law, see patents. And for when voices can be protected, see soundmarks/trademarks and brand rights, the latter stemming from rights of association. Such protections generally only hold when the voice or sound in question is an artificial product, like the sound of Ronald McDonald, and the protection only limits direct competitors from using the voice or sound improperly; everyone else is free to do impressions if they want.
So for the titular questions, the hypothesis posed simply will not occur under current law, and it's hard to see how it would be practical if the law did permit it.