guitars

Hi all,

My dad asked me to sell his Fender Stratocaster from the seventies (see id on the backplate, it's 519714). Having no clue on what could be the reference price guide, I wanted to get your advice on this. As far as I know, the guitar had no modifications and is all genuine, and overall in very good condition as you can see in the pics (given its age).

I live in europe and contacted a pro dealer here who seemed to be specialized in vintage guitars, but I'd like to have multiple references to better grasp the value of this guitar. Would you have any suggestion or references on this ? Thanks in advance.

Here are some other pics :

I was browsing Craigslist late last night when I came across this Danelectro 56 U-3 reissue from the 90s. It was a pretty good deal with a hard case thrown in so I felt the need to jump on it. She’s in terrific condition with the person I bought it from being the original owner. 3 lipstick pickups, aluminum nut, gotoh tuners, slim neck, and no dings. I can’t wait to plug her in later tonight!

My daddario cable just started wigging out and this is like the 5th cable ive been though in 7 years. I'm hard on my gear in general. What cables should I order next in particular?

Hi guitar home players,

I'm looking for a setup to play at home with high quality sound and feel.

I first went with home monitoring (adam A8H) + amp sims on computer. The sound tone can be right for bedroom level playing but the feeling is not as good as I would.

I miss the fender headroom on my real hotrod and the crazy harmonics and feedback loop on a real high gain amp.

I would like advice from people who have bought or tested more than I.

1/Is kemper, neural dsp and other expensive produxt deliver more feeling than let say the TwoNotes Genome which is free to test ?

2/What about having real amps + loadbox? Is that better than amp sims for bedroom level or worse? From recordings on youtube it's sometimes hard to tell but youtubers are just sellers nowadays...

3/What about having a larger speaker cabinet like a 2x12 for bedroom sound level at home. I expect the feeling could be different than the stereo 8" well positionned at ear height I have. Worse or better if anyone has both setups?

Anyone else amused, and also repulsed by guitar player snobbery?

I'm talking vintage vs modern, poly vs nitro, laurel vs pau ferro vs rosewood, "tonewood," solid state vs tube, etc.?

It's absolute insanity on other forums, especially the "big" one.

What say you?

Recently bought a Vox amPlug headphone amp and started thinking about getting a looper pedal. Do I need a proper amp for this or could I somehow plug the looper between the guitar and headphone amp?

As the title says, at what point did you feel competent enough to join a band? I've been playing the guitar for almost 2 years now, and feel like I hit a bit of a plateau, and I'm thinking joining a band might help. At the same time, I don't really feel like I am good enough to play with others.

My dream acoustic. Made with a AAAA grade German spruce top (very tight-grained, cream color which should darken nicely over time), and a unique AAAA grade, flamed kihada back and sides. Kihada comes from the Amur cork tree, an indigenous hardwood in Japan. It is very rarely found flamed like this. Mahogany neck, spoke-shaved by hand in a soft-V to C shape with satin finish. Simple and elegant appointments in a very Japanese minimalist style. Forward-shifted x bracing, and it is all hand crafted in the Yairi workshop located in the city of Kani, in the Gifu prefecture, Japan. Yairi guitars, for those who know them, are remarkable instruments. Enjoy the pics. This was one of twelve (12) created in this configuration.

Link to gallery:

https://imgur.com/gallery/yairi-fym88kr-guitar-4lkdFjD

“I’ve since discovered that I have an autoimmune disease,” Setzer writes on social media. “I cannot play guitar. There is no pain, but it feels like I am wearing a pair of gloves when I try to play.”

Peavey grind 6 passive bass. mahogany body, maple & mahogany neck, rosewood fingerboard. 35? Inch scale.

I cannot play on time. Not in terms of missing beats, or losing the click in the middle of a song, but in that my timing is almost always off. I compared my played notes to the click in the DAW, and I'm usually rushing, sometimes by 30-40ms. I remember Adam Neely said once that 10ms is barely acceptable, so yeah.

I tried dividing the distance between clicks in my head, doubling the metronome tempo, moving with the beat, consciously conpensating for the rush, nothing helped. Therefore, my questions - how's your timing doing? What can I do to improve mine?

I wanted to test the new federated social loops.video and since I gifted myself a new holiday project I though it would be cool to document it and share it with the FOSS community here on Lemmy.

Let me know what you think, Happy Holidays to everyone.

More notes and insight is available in the book:

https://archive.org/details/eric-clapton-the-best-of-songbook/page/1/mode/1up

This is an old classical guitar, it might be up to seventy years old. It buzzes with every note but it's the loudest on the G string. Please help.

Just got this vertical 4x12 from Zilla. Got it to pair with this VHX. It currently has four k100's in it, but I'm planning to swap a couple for v30's in a different cab. The vertical 4x12 with the tip-back wheels and handles are really cool - I got this thing up a couple flights of stairs myself without too much trouble, and it sounds great. I gotta say, this form factor solves a lot of problems with the typical 4x12 - posting here so hopefully more guitar nerds see it! Zilla (and Paul!) are great to work with, and make really solid stuff.

(The two on the sides I ordered a few years back when the F12-X200s came out - they built these from the reference cab specs that Celestion published, and I mostly use them with my Kemper and a Matrix GT-1000 power amp. They're also pretty rad. I've taken these out separately and run synths through that power amp and it's a killer setup for that sort of thing)