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submitted 8 months ago by weastie@lemmy.world to c/bass@lemmy.ml

Every now and then, I love playing around with tremolo, flange, envelope filter, fuzz, creating really cool synthy and ambient tones.

And then I get to a sound I think is so cool, but then it just feels like... if I could have a second clean bass playing underneath those tones, it would sound awesome.

Like realistically, 99% of the time, it just sounds better when all the fun synthy sound effects are coming from a keyboard or an electric guitar, and then you have a mostly clean bass playing underneath it all.

And then I enter a loop of going back to clean bass, then I add just a smidge of effects, then I think those effects sound cool and increase them... you get the point.

Does anyone else fall into this madness?

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[-] guylacaptivite@sh.itjust.works 3 points 7 months ago* (last edited 7 months ago)

I don't use a lot of effects for the same kind of reason. Songs really feel thin and empty without a solid bass line as a foundation. There's nothing wrong in recording a cleaner line underneath some more melodic crazyness though. I think it's a must for any arrangement, you cannot just play melodies/chords/ambience. The rhythm section is essential and that's why bass teachers really insist on mastering the basics.

[-] pelotron@midwest.social 1 points 7 months ago

At least in metal music it's pretty common to mix wet/dry bass signals so you get the best of both worlds.

[-] debil@lemmy.world 1 points 7 months ago

Get a Boss LS-2 or similar that allows you to blend in clean signal in suitable dose.

this post was submitted on 20 Dec 2023
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