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[–] TheAlbatross@lemmy.blahaj.zone 10 points 9 hours ago (1 children)

For what it's worth, I also found those opening court room scenes in SFA absolutely maddening. The whole scene made so little sense. Why was Caleb even in that room? Why did the Federation rip a child away from his mother like that anyway? Even if his mother was arrested, why did they go about it in the most trauma inducing way possible? If Nus is so dangerous, why was he just allowed to stand next to the person accusing him of abuse?

I feel like we already have solutions to so many of the issues in that opening scene alone in the backwards 21st century, why were we again struggling to solve them in the 32nd?

[–] flabberjabber@lemmy.world 3 points 7 hours ago

You're absolutely right friend.

But I also think there's an argument for exploring the effects of trauma in modern Trek.

As a modern society, we are so much more aware of how trauma is perpetuated today. But there's also so much room for depth in that understanding. This is narrative fuel. It's definitely a topic rich with potential for exploration within Trek. But it needs to go deep and remain clever. Psychologically and philosophically grounded.

But, this is where their line of inquiry seems to stop in the writers room. Instead of coming up with novel and unique ways to create traumatic situations for our characters, that don't challenge and eventually break the universe these stories inhabit, and that delve deeply into the nature of trauma and its effects, we find our characters living in a quasi-utopia that speaks more to our time period and asks questions but gives no answers.

This utopia is one that I could imagine might have existed more in Archer's time. But in the 3100's is, even with the burn taken into account, unbelievable and disappointing.

This is where a show runner with a bit more awareness, intellect and gut could create more believable and novel scenarios for our characters.

What I wouldn't give for Ronald D. Moore at the conn.