You're not alone in that. Pretty much everyone I've ever encountered who dislikes Pulaski as character... it's because all they remember of her is that first scene.

She's a great example of just how brutally important first-impressions are.

I definitely disagree that she wasn't her own, distinct character -- she was, I think you're letting that bad first impression continue to color your perspective. It's easy to misremember Pulaski as being abrasive and antagonistic because of that first scene, and hard to remember that she apologized very quickly after that, and very quickly became friends with Data (and remained very supportive of him throughout her time on the ship).

So it's weird seeing so much of the "discourse" on Pulaski boiling down to fans being angry at her for being mean to Data that one time while conveniently forgetting that she was one of only two people on that whole ship who went out and befriended the Android.

I was glad to see that Pulaski at got a tribute with a ship named after her in PIC Season 3. That at least implies that she went on to do great things after leaving the Enterprise. I like to think that the USS Pulaski was one of the last to succumb on Frontier Day because its crew had the oldest combined age of any ship in the fleet.

I hated her as a kid watching the show. But now I realize that I agree with her teleportation-is-murder-stance. I mean, it’s definitely murder.

I'm currently watching TNG for the first time (up to S4 currently), and while Bev Crusher was definitely missed in season 2, season 2 has a few iconic episodes like Data's trial and Riker's exchange program. I wouldn't say the show is bad before S3, it's just that it's still finding its footing.

Something I definitely noticed is that the first 2 seasons tend to spend more time "setting up" the story of each episode, while S3 onward is when they begin to do more "in media res" starts to episodes. Those slow starts feel very similar to the TOS episodes that I've seen, while the "hot start" makes it feel a lot more like a modern show.

It reminds me a bit of how both The Office and Parks and Rec have weak first seasons. In both cases, it's largely because the first seasons of those shows involved them trying to replicate the success of another show (the UK Office for The US Office and The US Office for P&R) rather than understanding what their show was going to be, particularly with the tonal differences and the strengths of the cast. A lot of the problems of the first season of TNG seem to be caused by it trying to be too much like TOS.

"The show lost 2 out of 3 lead actresses going into the second season. Not a great look."

Excellent point. I've read the, "this is how a security officer would go out," explanation for Yar's demise, but I never bought it. News of Denise Crosby leaving TNG was out before "Skin of Evil" was first broadcast. When I saw the episode I thought that Yar's death came across as being intentionally petty and meaningless. "We have women as main characters but we don't know what to do with them," is endlessly frustrating to me, with Star Trek and other shows. A ship's doctor, a chief of security, and a ship's counselor who can sense emotions -- that is a pretty rich ground from which to grow stories, beyond the characters backstories.

No doubt cringe; but pales in comparison what they put Jolene Blalock through.

that video doesn't work for me, do you have a direct link?

nevermind, it works if I change to the local instance this was posted on: https://startrek.website/post/61401

i havent seen ome person say i was too fan-servicy. i think the genersl consensus is that its awesome