blorp.bot.nu/o/visual_cuisine
※Use a VPN and make sure you have a Hexbear account. Be aware that "Latin" in the subtitle track lists refers to non-SDH English subtitles due to technical reasons. Let's thank Aer once again for all her good work in providing these uploads and subtitles for us.
I have revised my Saturday Pony Night schedule to stretch out the MLP content to accommodate The Owl House. I reckon that's a bit of a win-win, huh!
The rest of this post may contain spoilers.
What's the chef cookin' tonight?
Equestria Girls: Better Together
Slice of life shorts starring the HuMane Seven at Canterlot High. We'll be watching the second season except for the Choose Your Own Ending shorts tonight. The shorts will be presented in two compilations dutifully made by Aer which should add up to around 46 minutes overall.
The Owl House
Plot description from IMDb:
Accidentally sent to the world of the Boiling Isles before a trip to summer camp, a teenage human named Luz longs to become a witch and is aided by rebellious Eda and pint-sized demon King.
Content warnings
Content warnings are unavailable for Equestria Girls: Better Together.
Content warnings for The Owl House include:
- Implied child abuse and domestic violence
- Stand-in for alcohol
- Animal abuse, death of a pet
- Stalking
- Bugs, bees, spiders, and snakes
- Characters turned into puppets
- Characters are drugged
- Potential sexual harassment
- A character's mouth is covered
- Eye mutilation
- Body horror
- Et cetera
You may wish to read a more comprehensive list of content warnings here:
Land acknowledgement
Equestria Girls was made on xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ land
Equestria Girls: Better Together was animated at DHX Media (now Wildbrain)'s studio in the unceded shared homeland of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. More specifically, the DHX studio in question is located just southeast of False Creek in central Vancouver: this creek was a vital source of sustenance for the three Salishan-speaking Pacific Northwest Indigenous nations in question, providing them with ample sea asparagus, berries, camas, oysters, clams, wild cabbage, and mushrooms. Settler-colonial land reclamation projects and settler-capitalist industrial pollution destroyed these traditional food sources, and the food sovereignty that came with them.
The majority of British Columbia was annexed by Canada without any treaties signed with the local Native groups. This lack of Indigenous treaties presents unique legal challenges for Natives of British Columbia compared to Natives elsewhere in Canada.
The Owl House was made on Tongva land
The Owl House was animated at Disney Television Animation's studio in Tovaangar, the unceded homeland of the Uto-Aztecan-speaking Tongva people. More specifically, the animation studio in question is located in Glendale, Los Angeles County, near the historical Tongva villages of Wiqanga, Tujunga, Hahamongna, Ashwaangna, and Maungna, between the Verdugo and Santa Monica mountains whose springs had long provided fresh water for the Tongva. The streets of Los Angeles were built by the slave labor of Tongva people arrested by settler police for "vagrancy and public drunkenness" after Seppoland annexed Tovaangar without treaty. The Tongva people today are still unrecognized by the governments of California and Seppoland.
California Natives who did sign treaties with Seppoland never had those treaties ratified. Similarly to British Columbia Natives, this lack of Indigenous treaties in California presents unique legal challenges for the state's Natives compared to Natives elsewhere in Seppoland.
Conclusion
The economic prosperity of Vancouver and Los Angeles that allowed animation industries to develop in these cities necessarily has its basis in the continuous and systemic disposession of Natives from their land that I've just described. The Native groups in these areas had no say in approving the construction of the animation studios in question, and see none of the profit generated by the cartoons drawn on their land. And although piracy avoids putting money directly into the pockets of settler capitalists, unpaid fan labor such as pirate uploading still contributes to the overall values of the intellectual properties in question, just as any other labor adds to the value of any other commodity.
The Tongva, xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ peoples still exist and still live in their homelands today. They still fight, as they have for centuries, to exercise their sovereignty over their homelands and their resources. These nations are not monoliths nor are they in any way static: these nations are stratified by class like any other nation under capitalism, they adapt new technologies to their needs like any other nation, and like any other nation they have individual members intersected by every axis of oppression and each with their own individual perspectives.
Here are some relevant charities:
I would also recommend listening to "An Indigenous Perspective On The Chicano Movement", as it is very relevant to the topic of Mexican colonization of the Southwest and its lingering impact on the settler-colonial contradiction in e.g. Tovaangar today.
SOLIDARITY WINS THE FREEDOM OF NATIONS!
♫ Uniting nations at the speeeed of liiiiight ♫
[epic sax solo]
♫ Station of the '20s — TV☆3SIS! ♫
Good on Diesen for getting on CGTN! Always neat to see a familiar name.