I prefer the world-famous song “Press X to Jason”
https://m.youtube.com/watch?v=_56257iS77A
Since it’s about the first 5-10 minutes of the game, it’s not a big spoiler.
Stupid Jason.
I prefer the world-famous song “Press X to Jason”
https://m.youtube.com/watch?v=_56257iS77A
Since it’s about the first 5-10 minutes of the game, it’s not a big spoiler.
Stupid Jason.
Hah, yes! Or O’Brien, the most important Starfleet officer in history!
As a show with so much promise, I often felt Disco reached for big concepts but never quite managed to get there. It would get bogged down with pathos and dragged out plot lines. Unfortunately, season 5 felt no different. This episode dragged on and on for me. Mol and L’ak had mostly become irrelevant and were completely unnecessary in this episode.
I get the series got axed and additional scenes were shot to round things out. But that random “we’re all hugging” scene? It was weird. And didn’t the actress who played Detmer say their absence was planned and revealing anything would be a big spoiler or something? Well. No, it really wasn’t.
Kovitsch was Daniels? I think at that point of the story, he could’ve been anyone and it wouldn’t have landed. He could’ve been Sloane (not dead after all!) and it would’ve made as much sense and be just as meaningful to the story.
The progenitor plot? With a tick list of “clues” and “challenges” to lead the way, but ultimately we decide your worthiness to reshape the universe as we know it with a geometry puzzle? I can’t even.
Discovery had potential, back in the day, but disappointed year on year. I had hoped this final season would offer redemption, but alas. Decent bunch of actors, but with subpar writing that usually went nowhere coherent. I won’t miss it. Glad it’s done. I hope Paramount learnt some valuable lessons from this and moves things on.
I’m at the Grymforge right now and Nere needs to be freed so I can stay safe in the Shadow-Cursed Lands. I’ll persevere, good to hear I’m getting close to your fave bit!
Loved the episode. Did I understand correctly that the Betazoids were travelling from planet to planet to find a cure for this rampant emotional telepathic event?
Does that mean T’Lyns powers extended that far?
Or were they secretly hunting for the alien ship? I got a little bit lost with the fast dialog.
On a random note, funny how in ten forward the two guys making out kept inserting themselves in almost every scene.
You may want to change the fact that web exports don't work on macOS. MacBook Pro M1 user here. I'm happily running my Godot 4.1 as web exports on my server. Setting the headers is required for any browser / operating system, but things seem to work fine for me on Mac.
Oh, absolutely, and more power to them. Godot 4 has been an incredible piece of work and each update things are getting better and better. The thought of more developers using Godot is exciting, since it feels like we're nearing the tipping point where it will really take off.
I don’t miss it one bit as a social platform. I just wish that search engines wouldn’t prioritise it as much when I try to find a “how to do….” guide. It’s insane how many Reddit threads (half deleted and otherwise) dominate the results. Just show me a nice webpage please.
Without Adblock detection. And no bloody “how to” videos either. I just want to read it through, thank you.
As someone who has watched all of Clone Wars, Rebels and read the Thrawn books, I fully get where you’re coming from. Though I think there must be a 10 minute YouTube video of “what to know before watching Ahsoka” somewhere. Rebels is enjoyable (and gets suitably dark in its later seasons) but doesn’t tell an overtly complex story, so a quick primer video would be enough if you don’t want to experience it all.
All the dead space between lines stood out to me too. Ahsoka is obviously older here, but where’s her playfulness and spark?
Is anyone perhaps able to summarise these alleged "best" settings? I hate YouTube clickbait.
Really enjoyed this one (again)!
Felt like it probably worked a bit less like a time travel mystery, but worked very well as a La'an character piece. She got to experience what it was like to live without the burden of her heritage, but realised that for the greater good, the bad things had to happen.
The plot contrivances were a bit on the nose, the convenience with which they located people and facilities in particular, but again, it didn't bother me one bit. The emotional scene of La'an in her quarters, at the end, after her call with Kirk... great stuff!
I expected a Guinan-esque moment where she would hand the watch back to Pelia and they would just smirk and nod. I felt like Pelia was given her "the look" when she returned to the bridge at the end, so that may have been it. But then the "cliffhanger ending" where the camera focused on the watch? Who knows, Boimler may need to come back and fix this mess!
But also... no matter which timeline we're in: Where did Chief Kyle go??? Was he too mean?
This worked perfectly - thank you!!
For anyone else looking here later, the final shader code (confirmed working Godot 4.2) is:
Credits to Single-mindedRyan for creating this shader in the first place.