Besides a few people that lived most of their lives in the Middle East, not China, there are no witnesses or ‘victims’.
Families in Uyghur communities around the world have referenced the camps with regards to their missing friends and relatives. Here are some from my city. It's intellectually dishonest to suggest there are no witnesses or evidence.
What did you think of it? I've been planning to watch it for ages based purely on the hype, but it's not the type of genre I'd usually go for so I'm not sure whether I'll enjoy it.
How did you feel about the opening 45 minutes or whatever it was? The constant time skips, loud music in every scene, etc?
Totally agree with you in relation to groupthink and it's the main reason I have them disabled too. I don't like my opinion of a comment to be influenced by others before I've even finished reading it.
Okay, that first paragraph makes a bit more sense to me if I combine it with your first reply. Your primary critique here is of Eggers and his creative process and the potential effects on the quality of the film, rather than marketing and financial results. I think when you added that stuff it sent me off in the wrong direction, because it sounded like you were arguing that the language choice was a corporate decision and that it was a bad one because the average person is not capable of following medieval dialogue and therefore won't be interested in seeing the film. I guess I enjoy the fact that Eggers is doing something different to his contemporaries and that overrides any concern I might have about creative quirks feeling forced. And selfishly, I feel pretty confident in my ability to follow older dialogue or subtitles so it doesn't concern me if that confuses other viewers. You can't please everyone and compromising on your creative choices in an effort to do so can be just as destructive to the final product.
I guess if you are arguing that it's targeted marketing to a specific audience, then I can see your point. But that's not the impression I got when you mentioned "any audience" in your previous reply. Regardless, I believe this is an artistic choice he makes and insists upon as opposed to a gimmick pushed by studios to hype up his films. His most recent film did not include this supposed gimmick, so I'm not sure how that applies to your "doubling down" theory.
I'm confused by your argument. It's a marketing gimmick...that won't work because modern audiences don't tolerate period authentic dialogue? That doesn't sound like a marketing gimmick.
Avatar 3 to be co-written by ChatGPT?
The Wii U also suffered from it's weak library of games, though. Yes, you could argue that was partially due to Nintendo pivoting away from it earlier due to the slow start which was, in part, caused by the confusion over the naming and marketing...but if Nintendo commits to the Switch 2 and releases more bangers from big franchises it will be a long-term success. The "gimmicks" of the Switch are the best assortion and implementation the company has ever delivered and it has an amazing library of games. There is no reason why the Switch 2 can't deliver in those same areas (it already will with the retention of motion controls and portability).
Spoilers for those who haven't seen it:
spoiler
Yeah, it's more a historical film about the circumstances which might have led to the creation of a "witch", rather than a horror film about a witch. There is some ambiguity as to who the title is referencing and whether any of the supernatural events are actually unfolding in the way our unreliable cast believes.
I am not a big fan of the horror genre but I absolutely love what directors like Eggers and Flanagan are doing with it. Sort of making films and series about other things, that just happen to have a horror twist to them.
Not really sure what to expect from this one, the trailer was wild. I greatly prefer Bong Joon-ho's older films (Memories of Murder, Mother) to his newer ones, though. I am a little worried he is starting down a path of pandering to Western audiences with these ultra violent, post-ironic comedy things but we'll see. I think he is a much better director when he starts with a very serious premise and then adds some biting social commentary to it, as was the case with the two aformentioned films, rather than starting with the social commentary and going all absurdist.
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