My bathroom tub fixtures have seen better days. Pretty sure they're original to the house (~60 years). We have fairly hard water, and the prior owners were not the best at maintenance so no clue how long these slow leaks have been going on. But the shower handle is stuck hard on the valve, and the bath spigot is crumbling away and similarly fused in place. Hot and cold come off easily.

Does anyone have any tips for freeing the one handle and spigot? I've tried light tapping with a mallet on the back of the handle to no avail. The spigot seems bound pretty tightly, to the point where I'm concerned about damaging the pipe if I apply too much torque.

As for the leaks, I haven't decided if I'm going to just replace the valves, or try fiddling with/replacing the packing nuts. This is my first time messing with plumbing, but either way seems straightforward enough after watching a few videos.

Any tips/tricks/suggestions appreciated, thanks!

I bought this cheap bathroom vanity off of amazon and we assembled it. We cannot get the drawers on. These silver things get in the way. When I get them mounted in a way I feel is correct they prevent the drawer from closing all the way. I haven't dealt with anything like this.

Does anyone know how to mount it? I'm sure once its done Ill feel like an idiot for how simple it is.

Thanks

We have an electric cargo bike that’s served us really well. We bought it second hand at a pretty affordable price because the battery was shot. Fortunately we found a great local repair shop that could replace it, and we now have a pretty great bike.

Unfortunately the drum breaks on the front wheels are getting really bad after about 12 years or so, and our local bike repair shop is at a loss for finding new parts. The front wheels are mounted on an axle that’s controlled by hyudralics (which gives the bike a great turning radius), so they’re a bit special. The original hubs are Sturmey Archer XL-SD’s, but they don’t seem to be available anywhere.

Does anyone have suggestions for what I can use instead? Has anyone hacked their way to one-side-mounted front wheels for a three-wheeled bike, eg by using a through axle?

I recently started trying to learn bookbinding (and because I never liked practicing by making something I didn't need, I'm starting with a 266-page solarpunk TTRPG rulebook I helped make).

I joined the Fully Automated discord a while back, mostly because I was looking for a place to talk worldbuilding in the genre. I read the lore/setting part of the rulebook and it actually helped me start thinking bigger than I had been around ways the world could be better. If there's a solarpunk timeline from our modern day, through conflicts and crumbles and collapses, gradually rebuilding towards something eutopian, then they're much closer to that high-tech, post-scarcity end-state than the solarpunk stuff I normally write. But there's something kind of fascinating about that world, and it makes for a great place to tell stories.

I offered them the use of the art I'd already made, and then I got involved in writing and editing the lore, including contributing a couple sections around rural areas and reuse, which, true to form, they expanded into something bigger than I had come up with on my own.

Since the game is an open source, all-volunteers thing, we didn't do a print run, just released a series of PDFs. But I have free access to a printer that can do 11x17, a plotter printer that can print on canvas, my SO's unused bookbinding kit, and enough patience to learn to bind at least a few copies, so I decided to give it a try.

The first step was rearranging the pages into signatures. These are small pamphlets of folded papers that get sewn and glued together to form the book. This turned out to be way easier to do than I expected, as there are several online tools for interposing PDFs. I found and really like this one: https://momijizukamori.github.io/bookbinder-js/

This allowed me to take the regular letter-sized (8.5"x11") PDF and rearrange it into signatures of four or five 11"x17" pages, with two pages per side. It handled reordering the pages so they work correctly once the signature is folded together and stacked with the others. We also took these interposed files and made them available on the FA! website.

Once I had the interposed version, I could print off the signatures:

I really recommend printing each signature separately so you can paperclip them together and keep careful track of which pages are inside it. It's really, really easy to completely lose the plot on the numbering - I almost couldn't figure out how to put a four-page signature back in order once or twice, if it had been mixed with other ones I'd have been really confused. But it's easy as long as you keep them in their sets and remember which side is up (because its the only sheet/side where two page numbers show in order).

The free printer I had access to couldn't print without leaving a margin so I had to trim them by hand. I started off using a papercutter on the short sides, but eventually switched to using a straightedge and scalpel on all the sides.

The next step was folding the signatures folio-style using a bone folder:

And then punching holes so I could sew them together. Some guides have you sew each signature separately, then sew those together, but the one I followed (and recommend) does them all at once.

The folded piece of paper is a template marked and punched so all the holes in all the signatures line up as closely as possible.

Next, I sewed it together using the Penrose Press guide, being careful to pull the threat as tight as I could before tying it off on each signature. I really like how secure this seems to make the binding.

Even if you tie it tight though, it'll still have some gaps. That's were clamping and gluing it helps! The guides I followed suggested just stacking books for weight at this part, but I went ahead and built a really ugly book press with a piece of scrap particleboard, scrap 2"x4", some wax paper, and a couple deck screws. I pre-drilled the holes, wrapped the boards in the wax paper, and screwed them together so the book block could be clamped between them:

That's when scope-creep hit and I switched plans from making this first copy a softcover book to making a hardcover.

I followed my SO's bookbinding book, and this guide for the spine, and added a section of cheesecloth (in place of mull, which I didn't have) and manila paper in roughly the dimensions they specified. These help hold the spine together and attach it to the cover (called the case).

Next, I roped the Fully Automated folks into making a back cover for me, and I put together a printable version with a spine and everything. I took a lot of measurements, made my best guess, then went to our local makerspace to print it on their plotter printer:

It's slightly large but I'm happy with it!

The next steps came pretty much entirely from this guide.

I cut some bookboard (stiff cardboard) to size, and did my best to line it up with the image showing through the canvas. Once I had them in place, I traced them lightly onto the back of the canvas in pencil, held it up to the light to see if it was good, and made corrections until I had good lines. Then I measured out to the edges of the sheet and trimmed it down:

Then I glued the bookboard to the canvas:

I forgot to take some pictures for the next step (sorry) so you'll have to rely on my descriptions. First I cut the corners off the cover at a 45 degree angle 1/8" out from the corner of the bookboard. I used a carpenter's square to mark the angle. Then I folded the sheets over the bookboard and glued them.

Then it was time to glue the book block into the case. This happened fast enough that I didn't dare stop to take pictures. I slipped some wax paper between the endpaper (a blank sheet I included on front and back when I used the interposing software) and the rest of the book block. Then I painted it with glue as quickly as possible, being careful to first glue the cheesecloth to the paper, then painted it over with glue as well. Then I carefully closed the cover onto the sheet. The endpaper was just about a liquid at that point, despite how lightly I stippled on the glue, so I'm glad I didn't have to try to make changes. I flipped it, and let it dry for awhile.

Then I repeated those steps on the other side and left a heavy laptop sitting on it.

Its always tense waiting while the glue dries on a project, hoping its not clamped crooked, or the glue isn't running and sticking to something it shouldn't. Especially when you're combining the end result of two other projects. Luckily this one turned out mostly okay:

I can see where the endpapers stretched (just like one guide said they would) causing them to reach further towards the fore-edge than I'd have liked. But it generally looks pretty smooth and clean so I'm not very bothered by that.

All in all, I think not bad for my first bookbinding project!

Hi!

I'm planning to try to get into some solar-powered (or low-powered) DIY projects.

I have a mechanical engineering background so I'm not super worried about learning technical stuff but I live in an apartment and don't really have ready access to a workshop.

Does anyone have good projects they've found? Having some creativity issues more than anything else, I think...

EDIT: I think this video shows a better design, although I note some improvements below:

Making a DIY analog force sensor under quarantine, with the Kontrol Freak. | KontinuumLAB

The main video linked uses two strips of copper bridged by the velostat, but this creates deadzones where those copper strips are, and probably also gives different responses depending on the shape of the region being pressed. I've done more research and a much more consistent method should be to sandwich the velostat between the two conductors so that the entire surface gives a consistent response that goes directly through the material. This should also give a more pronounced response because the length of the circuit through the velostat is only the thickness of the sheet, not the width of the pad. This should also make it less sensitive to changes in the pad size.

Some videos use conductive fabric, but the best one I found uses adhesive copper tape. If you're getting this, make sure to use copper tape that is conductive on the adhesive side, as not all of them are.

And a follow up video with a more refined method of building the pads and ideas about how to improve the analog-to-digital conversion:

Eight pressure-sensitive Velostat/Linqstat pads for a velocity-sensitive MIDI controller

There is also this method using piezo sensors, but from experience I know that this is completely insensitive to sustained holds. It's used for electronic drumkits because it measures percussion, not pressure:

DIY midi controller with 8 Velocity-Sensitive Drum Pads (on one chip Atmega328) 'Very simple'

I suppose combining a piezo sensor with a simple touch-sensitive control might achieve a good effect, but velostat seems like a simpler solution to me. Also if you want a capacitive sensor on the surface you probably can't use the soft rubbery material that nice MIDI pads use.

Also this guy is quite good at his explanations and breaks down quickly how to make a full button pad, although he still uses regular buttons and pressure-sensitive ones would need a bit more logic to understand:

Launchpad || DIY or Buy || Keyboard Matrix & MIDI Tutorial

So I've been looking into how to do this, and I found someone on reddit asking this same question like 3 years ago, and they're still active. I was planning to log in just to link them the video since literally everyone just told them to use regular buttons, but they obviously want to make the real thing, and it's a night and day difference between using velocity sensitive pads and simple buttons. Also they said they live in India where a lot of musicians can't afford the more intuitive interfaces because they're massively marked up, and I thought they should have the information they need to make a DIY solution.

Anyway, I realised giving them that link would be contributing to making reddit the go-to place for information, but I didn't find this there, I don't spend time there, and in fact my alts keep getting banned, and I'm the one adding the information.

So since reddit doesn't want me, I figure the best way to solve this is to make a post here and link them to it. That way I'm helping them with their problem, adding content to the fediverse, and linking people here.

The only thing to add is that I plan to expand on this to make a proper MIDI controller using some of the second video's suggestions for improvements, and I'll be making a modular set of boxes that can magnetise together to arrange however we want. Also I'm going to look for translucent silicone rubber that I can illuminate with RGB LEDs so the sequencing can be animated.

Anyway, if that person or anyone else finds their way here, hello! Welcome, this is a much better place than reddit.

Also interesting is this video.

From ProjectKamp.

So I have this silly idea/longterm project of wanting to run a server on renewables on my farm. And I would like to reuse the heat generated by the server, for example to heat a grow room, or simply my house. How much heat does a server produce, and where would you consider it best applied? Has anyone built such a thing?

Any recommendations? Are any of them usb-c rechargeable? Seems like most of the ones I'm seeing take AAA batteries.

Previously:

https://en.wikipedia.org/wiki/Miraculous_Medal

Oh boy Fedi, do I have a weird one.

Ive posted here a few times regarding my basement build, and one of the handymen noted that if I am not going to cover up my ceiling, I have two exposed I beams. One runs through the kitchen, and one through a bedroom (mine). We were talking about mounting a spice rack, and he said I could mount a piece of wood on to an I beam trolly.

These things are cheap, and they are strong. What kind of fuckery can I get up to with them? Especially one in my bedroom? Is there anything ceiling mounted you just wish you could slide across the room, and back again? I'm envisioning something I can collapse against the wall.

Is this just insane?

This is clever. But in a way, it's also shifting the environmental impact from these bottle caps. I can't imagine under which conditions the birds' may be a problem (e.g. getting too much food). Maybe someone with better knowledge on these species can tell if there could be a downside (no matter how improbable, just the risk of X). Such risk may include the interaction through second or third organisms (e.g. lack of seed spread, abundance of parasitic prokaryotr, etc.)

Biological question aside, anyway... This is so cool! I'd like to try building one myself ;)

A couple of years ago I built two ram pumps and installed them in the stream near my house. They pumped water for the garden for a few months during spring and summer. I'm okay with the fact that the pumps are just useful during part of the year, but didn't really like damming up the entire stream for my installation, seemed rude towards wildlife.

So this year I returned with a longer tube and just took the water from further upstream. I have only about 70cm head. I haven't really measured the height I'm getting, but it's more than the first year and enough for what I want to do.

My installation in the stream is very simple: fence post hammered/wedged into the stream bed, pump tied to it with wire. Everything wobbles a tiny bit. Might return and solidify that later, but I love it when stuff is so simple that I can just throw it into the stream and it works. After a while of pumping by hand it just runs. Variations in water height might stop it as it sits low in the water. Will report back tomorrow.

This is for a reservoir IBC and washing tank outside the kitchen. I'm thinking about adding a solar heating panel in there as well.

The image is of a smaller kid-sized pump that I want to turn into a demonstration model to take to markets and fairs.

It was even the same brand. I love when hoarding materials pays back.

Something neat I've discovered - you can repost the content of your movim blog straight into a lemmy post and it's all compatible, uses the same markup. I'll repost all this to imgur as a backup at some point but for now this is awesome.

This was an earlier project on my make-everything-from-junk adventure. I've actually built two arcade cabinets - the first with the goal of using only secondhand stuff, sort of sequestering various junk into something that would be around for awhile, and eventually gave it away on our local Buy Nothing -type group. It was unfortunately very poorly documented, I don't have many pictures of it.

This second one was a gift/reason to hang around in the workshop building something with a friend. They'd seen the first one, and we got talking about building an arcade cabinet custom for them. I like projects that cross a few domains, woodworking, painting, electrical, etc, and I really like reusing materials. Ad I love having a reason to hang around working on projects with friends, so I was excited.

I really like the archival efforts around old arcade cabs, but I generally think of new custom-built arcade cabinets as being kinda wasteful. They use lots of new material, particle board, etc, and take up lots of space, often for a luxury item that doesn't end up getting used very much.

But playing retro games was actually already a big part of this friend's mental health routine so I knew they'd use it - and I was confident I could find most if not all the material secondhand, which would save them a lot of money. (In the end, we did use one panel of storebought particleboard for the front plate/door just to get it finished. Otherwise, aside from the buttons and raspberry pi, we still managed to make it all from old stuff.)

I started with what we already had: various 2"x4" and 1"x2" boards, some particleboard and plywood cut to the dimensions of the previous cabinet which could work as shelves, and most of the particleboard from a big upright storage cabinet which would be perfect for the sides.

A year or two earlier, I'd spotted it disassembled on trash day on my way to work. I hate to pass up good material so I quickly hauled it home before getting back into my routine. When a different friend really wanted to carve pumpkins during the COVID times, I took the sides of the cabinet, screwed on four table legs I got from metal recycling and set it up as a long table on our porch.

We used that table for quite awhile, as a simple workbench, and a side table at friendsgiving.

The pieces I'd used as a tabletop were just about perfect, a good height and depth, if you stood them on end. Unfortunately some fool had driven a bunch of screws into them, but that's what bondo is for.

Maybe it seems counterintuitive to start with materials rather than a design, but that's a big part of how I've always made things. I take an inventory of what I have, figure out how it can go together, figure out what kind of designs we can make with that, and work out a list of what else we'll need. I should note we also already had a TV - it belonged to my friend and it was important to them that we use it since it had no input lag (apparently the TV I got secondhand for the previous cabinet did, and that was a problem). So we knew the measurements there and it was compatible with what we had. Maybe it's just where I am, but I've found TVs of an appropriate size for an arcade cab screen to be absurdly easy to get, either from Buy Nothing or my local swap shop.

We now knew the upper limit on the height of the cabinet (as set by the cabinet/table pieces) and the width we'd probably use (based on the shelf pieces). Those were our constraints, so we started talking requirements. My friend is very tall, tall enough that on my more traditionally-shaped arcade cab, the marquee/roof blocks their view and they had to hunch forward to see the screen. The control panel was too low, making the posture problems worse. This would have to be taller in order for it to be comfortable. They wanted to be able to use it at parties, so the screen couldn't be recessed too far into the cabinet (either we'd have to cut the sides away like a traditional arcade cabinet (difficult to get that just right, likely we'd mess up the plastic cladding on the particleboard) or it'd have to be close to the front. They also wanted it to be sturdy. Really sturdy. I really enjoy overengineering things, so I was looking forward to that part.

My first suggestion was that we do something based on this Gravitar 'cabaret' cabinet prototype.

I had a few reasons for this: the marquee was below the screen, so the screen and controls could be as high as possible. The screen was closer to the front, so it would be easy for spectators or groups of players to see it from an angle, and the overall adjustments to our side panels would be aggressively simple. Two straight line cuts at a matching angle, that I could do.

We talked design ideas a bit, as now was the time. We could do a specific game, or something generic (although I've always found the mame and other generic all-videogames themes to be really uninteresting, personally). Perhaps because we were basing our design on an abandoned prototype, they decided to aim for "like we found some weird pirate arcade machine out of time" and they picked the theme 'goblin dive bar' based on our shared love of warhammer.

I started drawing up a cabinet design, we talked about a logo and I made this from an old warhammer orks and goblins design:

Many thanks to them for pushing me to make it simpler and simpler. I think that was a good call.

Arcade cabs are a great project because they take at least a little of everything - I really enjoyed the graphic design bit and went on to make stickers to cover it with later. With that figured out, I added a couple other flourishes, the moons on the marquee plate and the yellow buttons. My friend picked the name of the arcade company and we tried some stencil fonts and a layout for the side art.

This is the mockup I gave them. It's pretty hacked together but I wanted to make sure we were working from the same plan.

Once that was done, it was time to start building. My original plan called for a frame of 2x4s forming a cube inside the structure, with 45 braces at every corner, with the sides attached like cladding. In the end that was mostly what we did, but we used some smaller boards for the frame and relied on the sides a little more for the structure.

I tried to find my original sketches, but wasn't able to. Either they were on wood I've since used in another project, or they're on some envelope or receipt mixed in with the rest of my detritus. Instead I drew this up from memory and the pictures I have:

This sketch shows all the framing without the sides, front, or control panel. All of this was scrap lumber. The uprights were mostly a 6"x4" pressure treated post we ripped lengthwise on my neighbor's tablesaw (wear a dust mask if you're going to do that), the supports for the TV were scraps of house siding, and the big board supporting the TV was I think a scrap of 2"x12" which had been used as a concrete form and was pretty much garbage as far as materials go even after I scraped off most of the concrete.

We wanted it sturdy, so it had to have an internal frame so it wasn't relying on the particleboard sides for structure. I wanted the control panel in particular to bear its weight through the frame right to the floor. We also screwed everything to the inside of the sides of course, and that on its own was surprisingly sturdy. Lots of 45 degree braces helped to ensure it wouldn't sway or twist at all.

The TV frame was an improvement over my last design. On that one, the flatscreen sort of just rested in place on some rails. This time I wanted it to be fastened in place - after all, we were going to have to move this to my friend's place, and then they'd be moving it from apartment to apartment (and they since have, with no problems!).

I don't have a ton of pictures from early on (I never think to take any until it starts to look like something). Here's one from while we were trying to make that 2"x"12" look better with bondo. Even once it was sanded smooth it still looked bad enough painted that I eventually cut a piece of plywood as cladding to cover it.

We made the control panel from a piece of 1"x14" composite pine I got from a disassembled ikea bookshelf I found on trash day. When I was working on the last arcade cab, I asked around on our Buy Nothing page and met a professional woodworker who had a large table router (this is before I got my little one). He helped me rout a round edge onto my control panel (plus a spare in case I messed up drilling the holes for the buttons) and to cut a slot I used for the marquee.

My friend and I used my spare to make their control panel. They picked the layout using some more lessons learned to improve on my first one, opted for the same sega layout I picked (found here) and we drilled the holes. They opted for a nicer set of authentic mechanical buttons and joysticks than the cheap kit I'd used the first time around, and I think that was a great call. Those buttons are also useful in other electronics projects.

We also filled in the front cut edge of the particleboard sides with bondo and sanded it smooth.

Once we had the basic structure and made sure the TV could fit, it was time to paint it (while the weather was good).

For this I printed out a large stencil at the local makerspace and cut it out by hand.

This was a large but simple four-layer stencil (black circle, yellow, red, white) so cutting it out took no time at all. Unfortunately, the only paper available for the plotter printer was super flimsy, and that would be a pain later on.

For the first paint session we only did the round logo. We weren't sure we'd be able to do both sides, so we started with the one which would face the room (this side also got the best particleboard). We had a bad combination of elements here - flimsy paper and because I couldn't find my good artist's yellow spray paint, we were stuck with some generic watery hardware-store-brand spray paint with the approximate thickness of kool-aid. We had to paint the black circle, paint the stencil of the moon with white, then use the yellow over that. By then the stencil had warped and in some places stuck, so the black layer was messed up with underspray and missing paint. Luckily we still had the 'negative' from the stencil, so I used that to protect the yellow while I fixed the black. Then we did the white and red.

All of that was a mess and I wouldn't recommend it as a strategy. It was one of the worst ways I've had a stencil project go, but the end result wasn't bad.

And in a second lucky break, because it was sprayed onto particleboard, it actually cleaned up pretty well with isopropyl alcohol.

The finishing touch for that side, the company name, was comparatively easy. dimensionally it just fit inside the laser cutter, so we used that to cut it out of cardstock.

I think we even painted this one on indoors (another bad idea but the cab was heavy).

We definitely weren't going to repeat all that for the side facing a corner, so we did a simple two-color racing stripe instead.

It's always nice when your stencil is just a length of painter's tape and some newspaper. Even that garbage yellow paint couldn't go too badly this time around.

We made another trip to the makerspace and cut out a couple more things. The first was the very basic phases of the moon template I'd bashed together for the front marquee, the second was a fake coin door and buttons I found online.

We thought about doing something fancy like getting a real coin door, wiring up buttons so you had to push them for the 'coin' button in the emulator, but it seemed like a wiring hassle and our plan was for the lower part of the cabinet to be storage, so it'd be better if there wasn't wiring hanging around in there.

Painting the stencil on wasn't hard because we didn't have to haul the whole cabinet outside, we just painted a thin strip of particleboard with veneer black and stenciled it, then attached it to the front above where the door would go.

Now it was time for wiring. We got the TV in place and fabbed and test fit its bezel. (The bezel was too big for the laser cutter so we had to cut it by hand with a box cutter and a straight edge.)

I marked the mounting holes for the screws in the back of the TV by putting in some screws, daubing black paint on the heads, and settling the TV in place against the back board. That got close enough, though it was always a pain screwing the screws in through crooked holes in a pine board. I don't think we usually had all four attached, but it didn't seem to make much difference, the weight was on the board underneath, the screws were just to keep it from falling out when it was moved.

Then we added the buttons. Suddenly it was starting to look like something. I had to keep shooing my friend off the control panel (which wasn't currently doing anything) because they were so excited about trying out the joysticks and buttons. The verdict was good though, it was a comfortable height for them, even with shoes on. No carpel tunnel risk on this one.

Oh yeah, cable management is my passion. I think my friend eventually redid it so they looked nice.

I wired the cab up for power using some outlets and a lightswitch I got from our Buy Nothing Group, some spare wire, and a power I cord I ripped off a refrigerator someone was throwing out. (Don't worry, they'd already taken the doors off and dumped it in a pile face down on the curb). Learning from last time, I set it up so two sockets were switched and two were on all the time (so the TV could be left on). It's a fairly simple circuit, but just in case I took a ton of pictures and ran it past an electrician I know, who said it looked fine, asked if it worked, asked if it caught fire, and gave me their blessing.

I printed the case for my friend's raspberry pi. I know we could have used a regular old junk PC and still even been able to run retropie if we wanted, but they were planning to leave it running most of the time, and the pi has comparatively low power requirements, so that seemed like a good long-term plan.

It lives!

You might have noticed that somewhere in here the design had changed. My friend was worried the 'shelf' area for your hands on the original design would be too crowded, and the screen was a bit close. Considering that it was a widescreen TV which would only be showing a square game in the center, the cabinet sides didn't actually hide much. And standing the TV here simplified construction even further.

I cut a separate marquee piece for the bottom of the TV (I think because the design changed somewhere along the line?). It had a cutout at one end so the TV could see the IR light on the remote, and so the user could reach the buttons under the screen.

I glued the two pieces together, painted them, and worked out a way to attach it using hangers at the top. I remember it being difficult to attach it in a removable fashion, without anything showing on the front, and this is what I came up with.

The final design used wooden pegs to fasten it together for some reason, and I remember you could push them back out using a pencil which was handy during all the test fitting. There was probably a better way but this has held up fine.

The next step was finding enough flat, single panel material for the front panel/cabinet door. I watched our Buy Nothing and Everything is Free groups, and scouted around on trash days for months, looking for something big and flat enough (tabletops etc) and had no luck. A few house doors came up but they were like an inch too thick for how we wanted to do the hinges. Finally I gave up and bought a slab of particleboard. The home depot I got it from was able to use their fancy saw to cut straighter edges than I could have with my skillsaw, which was great. When he was done, the guy asked if I wanted the rest. I said they could keep it to resell, I was happy to pay for the whole thing to get the piece I needed, and he said they'd just throw it away. That's how I ended up with a (I think) four-foot by eight-foot piece of particleboard cut into two door panels and one long piece. The spare door eventually became the top of this table. The long piece hasn't found a use yet but it'll probably end up being a shelf. I haven't gone back to those stores since.

The last piece was a bit of cladding glued/screwed to the board under the TV. I honestly cannot remember why I did it this way, but I painted it black, glued it in place, and we only decided after to add labels to the buttons on that piece.

I took a bunch of measurements of the buttons, lasercut a couple very simple START SELECT stencils with various spacings, found one that fit well, stuck it in place (probably with easy-tac), masked the area with tape and newspaper, and gave it a couple quick hits with rusto white.

Considering the circumstances, I'm pleased with how they came out.

The last big task was moving the thing. That was a challenge as making it sturdy made it pretty heavy, though not as heavy as the real thing with the big CRTs would have been. We rented a moving truck, and used ratchet straps to fasten it to the back inside wall, standing upright, wrapped in blankets. As a bonus, we also delivered some speakers my neighbor wanted to give away.

My friend was planning to replace an armchair in their apartment with this cab. Their plan was just to throw it away, but first thing when we got to their apartment, I posted the chair to our local Buy Nothing page with the promise we'd deliver it. Then we set about hauling the cabinet inside, rearranging furniture, getting everything hooked up, cleaning off months of sawdust, and finally testing it out.

Hanging out, finally playing games on the arcade cab, in the place where it was supposed to be, was awesome. It's since seen a lot of use at parties, and it gets a lot of attention from newcomers to their apartment. We still haven't gotten around to stickerbombing it yet.

By the time we were done and the celebratory snacks had been eaten, we had a taker on the chair. We drove it to their apartment and carried it upstairs on the way back to the rental place.

This is my second step-by-step post using our local movim microblog platform rather than imgur. I've also done an imgur post as a backup but I’m seriously impressed with movim, very glad to have a noncorporate place to centralize my projects. Let me know if there’s any issue with the link.

A few months ago I discovered the Shōwa era Gamera movies and I gotta say: I love this goofball. I love that he's a giant turtle who stomps around on two legs. I love that he eats fire and screams constantly, no matter what he's doing. I love that he dances when he defeats an enemy. I love that he is, canonically, a friend to all children. And I love that he flies through the sky by retracting his legs into his shell, shooting fire out the openings, and spinning through the air like a frisbee.

Every year I try to make a new Christmas ornament. We normally add a few as souvenirs from that year (keychain from a place that was significant that year etc), but I always like to add a little carving if there's time. This year's pick was Gamera (flying). Due to life stuff, it took longer than I'd expected, but here it is.

I started by looking for suitable models (in real life or printable) and quickly decided it'd be easier to just make it from scratch. I've made cravings of animals before so a turtle shell was doable, especially if I cheated and used power tools.

I sketched the shape using different movie stills and posters as references. His design, both in the art and even the costume, sometimes varies, so I picked whichever features I liked best or were easiest. Unfortunately, for as long as this ended up taking me, I took surprisingly few pictures along the way. So I guess I'll paraphrase my dad's favorite unhelpful carving advice: picture a turtle shell inside your block of wood, then remove everything that isn't part of the turtle shell.

I started by sketching the shape top-down onto a piece of scrap pine and cutting it out on the band saw. Then I used the belt sander to rough it down to a turtle shell-ish shape. It's important to oversize it, because if you're like me, you'll need room to correct mistakes. And you do that by removing everything else around the mistake until it's gone. Here's an early rough version of it

I kept sanding it down, consulting occasionally with images from the films to make sure the overall shape was correct (or at least not mutually exclusive with the material I had left).

Eventually I got it smoothed down and could start positioning legs, tail, and head holes in the shell. Unfortunately, this is apparently where I stopped taking pictures. I can tell you that I needed to make this much thinner, and took a lot of material away from his belly, and flattened the shape of the shell. I cut in a pattern of the underside armor, and then removed a bit between it and the upper shell to make it more distinct. I cut the holes into the sides, but left a sort of volcano shape inside for the four limbs, so it would look like the jets from one of the movie posters. I did a similar thing for his head and tail, but didn't add a hole in the middle for fire to come out of. I also carved his head kind of pointed, with the ridges which run from snout to eye (though the eyes are hidden) and removed some material around his tusks.

On his back, I drew a scale pattern, and the worked from the tail end to the head with a dremel, cutting away the 'top' end of each scale, just below the next one, so it would look like they're overlapping. On a big animal carving, I probably would have done this more carefully, but this is kinda just a silly ornament for the two of us, so I wasn't stressing getting the scales perfect.

Once that was all done, I drilled holes into the 'volcanoes' sticking up from the leg holes. I hadn't decided how I'd do the fire yet at this point, but I was thinking sprigs of painted wire.

The next step was painting. All the costumes and even in the art have Gamera looking pretty one-note, color-wise. Just sort of a blue-green-grey color. I started with flat black spray paint, getting it pretty thoroughly, but in many light coats (so as not to raise the grain from the wood), then hit it with with lighter coats of brite blue from an angle, to try to preserve some of the darker color in the nooks and crannies. Then I mixed some green and blue acrylic paint and did a sort of drybrush all over. I painted black into some of the nooks around the jets, and head and tail. I painted his tusks white.

Then I got some breadbag ties, the wire and paper kind. I was going to do a small bouquet of them sticking out of each jet, but the first test actually looked quite good on its own. I cut four of them (tapering it a little so it'd go into the hole better, and so it'd look more like flame on the other end) gave them each one twist, and painted them yellow-orange-red with a bit of flame pattern. They fit in tight without any glue.

Finally I drove a little eye-loop into the top of the shell and tied an old clothing tag string through it.

Interesting collection of videos about installing a solar PV system.

Hello,

I have two interior doors to hang in my basement. One of my friend said he could cut/ hang them, but he suggested looking into hiring home depot's contractors install them, because I would still have to get them delivered anyway.

Okay, the problem: when I started this basement project, I hired some amateurs. They hung my walls. They eventually disappeared, and I had to finish them on my own. When they built my rough openings, they didn't even make them uniform with eachother. one of them is 38.25 by 76.75 in. One is 38.75 by 78 even.

I checked into pre hung doors, and they are all 80 inch tall, and they recommend another 2 in. Apparently interior door manufacture is controlled by a regional monopoly: anything a few inches shorter will double the price, or potentially more. And of course, add a month for the custom manufacture.

the rub is that I would have to wait an additional month for the contractors, and they want an exorbitant amount.

So I guess my question is, what are my options? Can I cut a pre-hung door and frame down to size? Is there something I should know about? Should I just get someone to hang a door cut to size? Or should i just give up and pay the money?

cross-posted from: https://slrpnk.net/post/6072301

Once you get access to a laser cutter, you start to see all kinds of places you can use it in a project. Our local makerspace has one, and the more I use it, the more I find new applications, whether that’s in fabrication of flat parts, or just adding flair to smaller panels of a large project.

Around Christmas, I decided I was going to fix up my dad’s miter saw. It was an older, discontinued Delta 36250. The guard was missing(my grandfather didn’t believe in tools having guards) and the plastic insert in the table, where the saw blade came down, had been shattered for years.

The guard was an easy fix, bought a replacement part from ereplacementparts. But the plastic inserts were out of stock. In fact, even the scam parts websites that all look identical weren’t bold enough to lie and claim to have any of these things. Having examined what was left of the original, here’s my theory for why:

They’re junk. The space they fill is 5mm deep, but they were made to be cast out of plastic about 2mm thick with a lip around the edge to fill in the space. That plastic was super brittle. And then,just to make things better, the slot in the plastic, where the saw blade would go when it cut through the wood, wasn’t wide enough to accommodate the blade when it was rotated to do cuts at a 45 degree angle. Which it was designed to do. So the blade would come down through the wood, hit the brittle plastic at the wrong speed and blade type for cutting plastic, and shatter it. The inventories were out of stock because everyone broke theirs and ordered new ones, and they weren’t worth making in the first place

The obvious answer was to cut something close enough out of plywood and call it a day, but I wanted to get fancy with it. So I took some pictures, removed all the screws, claimed all the shards of plastic, measured the space, and brought the pieces home. Luckily enough pieces of the insert remained to get every measurement except overall length (which I measured while I was there). I used my calipers to get the original slot width, positions of the screw holes, etc. I drew up a vector image with my best guess at the final dimensions, and widened the slot until it slightly exceeded the damage marks from when the saw cut into it at a 45.

To get the curve at the corners I scanned in one of the shards, pasted it into the schematic in inkscape, and adjusted the rounded corners setting on the rectangle until it matched the scan.

On our makerspace night I cut a few cardstock templates, chased the screw holes around the design until they lined up with my plastic shards. And because I like adding some decorative aspect to practical items, I also drew up and cut a stencil of the name of his old military unit surrounded by a hawser rope.

This is one of the places the laser cutter really shines. When I was doing spray paint stencils in the past, I always cut them by hand with a scalpel blade(ironically cheaper than xacto knife blades). But this is tedious, takes forever, and certain designs really don’t lend themselves to it, so you find yourself spending lots of time gluing your bridges back together as they tear or bend. With the laser cutter, I had a template literally in minutes, and at least as precise as I could have done it. Some folks feel the art looses something when you make it easy that way, I’m personally more about results, especially when I’m on a timeline.

The makerspace didn’t have any plexi in the thickness I needed for the insert, so I reached out to TAP plastics for a recommendation. They had 4.5mm High Impact Modified plexiglass which they’d ship in custom dimensions, so I could get something small enough to fit inside the cutter. I went ahead and ordered that, and about a week later I had it. Enough material for four tries.

We ran the first cut slow in order to cut the thicker-than-usual plexi. That ended up melting it a bit along the edges and at the holes, so we did the second in two passes. I also redesigned the vector with smaller holes, and sent it again. This one came out better dimensionally, but the cutting fogged the plexiglass (it was the kind protected by sheets of plastic rather than paper, so we had to remove the stuff before running it in the laser). This wouldn’t be a problem except that I was planning to stencil the art onto the back of the plexiglass, so it would look deep and glossy, and would be protected by the plastic itself.

I covered the remaining material in painter’s tape and ran it again. The third one came out great, and I took them home for finishing.

The next step was to chamfer the screw holes on the drill press.This would let the heads of the screws sink down into the plastic where they’d be out of the way of boards sliding across the worktable.

Once I had that done, I peeled the painter’s tape off the back,and for once managed to remember to double check that it was actually the back and oriented correctly and everything. Then I attached the stencil so it was mirrored. I normally use temporary spray adhesive where I can to fasten the stencil down, to minimize the underspray. But a reverse stencil means any glue residue would end up between the plastic and the next coat of paint, so I had to skip it and just use stencil spiders (little metal weights, usually nuts, with paperclip/wire legs, which help you pin down high points).

I got very lucky, the paint went on well and didn’t leave me with any spots I had a problem with. I gave it a couple days to dry before messing with the stencil (this was good graff artist paint, but I’ve had the cheap stuff dry tacky, then when you try to lift the stencil, the paint stretches, snaps, falls onto the work and bonds there. I didn’t think that would happen with this stuff but I wanted to be really sure). Waiting to find out if it came out okay is the worst part, for me.

When that was dry I checked it over, and painted on the background color.

By that point, I was out of time to check it for fit, so I wrapped it and waited until Christmas to find out if it would fit. Later that day, we tested it, and it was overall pretty good - I had to chamfer the holes a bit deeper on his drill press, and used a thin round file to adjust a couple of them just a touch outwards from the center. But it fit and looked quite nice overall. My vector file isn’t perfect, but I’m providing it on my website just in case anyone out there has a compatible saw and also access to a laser cutter, and for some reason wants to follow me down his road.

The saw file is available here as a pdf: https://jacobcoffinwrites.files.wordpress.com/2024/01/saw-insert-great.pdf (apparently wordpress won't host SVG files.)

And here as both pdf and svg: https://mega.nz/folder/CdMwVDQa#yiHp5k_WbOxrNcYCRwWyiA

(Sorry not to show the stencil, I realized partway through writing this that my dad wouldn't appreciate it if I did, but I still like talking about the stencil art process.)