this post was submitted on 07 Jul 2025
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There's an ever-growing amount of music available today, a few taps (or clicks) away. I for one feel like there's a lot of great music in many genres and styles, coming from many countries, and in many languages. And there's always new, interesting stuff coming out regularly.

Whether a new release from an artist you like, or an old one you want to go back to, there are so many options to choose from at any given point in time. Yet we can only hear one at a time, so we must choose. So…

How do you choose what to listen to, and how do you keep up with everything you want to keep up with? Do you manage to listen to everything you want to on a regular basis? Do you instead choose to articially limit yourself to keep sane? Or is your music taste narrow enough this is of no worry?

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[–] clay_pidgin@sh.itjust.works 3 points 22 hours ago (8 children)

I listen to the music I liked as a youngin: grunge, 90's alternative, nu-metal, weird Al, and sea shanties.

I also watch and listen to the Eurovision Song Contest every year since I found it a few years ago. That gives me ~40 new artists every year that I might like. I follow a few favorites and see what else they've made. Watching some of the national final competitions gives me dozens more songs.

[–] lemmyknow@lemmy.today 2 points 21 hours ago (7 children)

ESC?! Hell yeah! I only follow the finals, though. I generally go in without spoiling much for myself ahead of time, so it all ends up being a fresh listen (other than when I already heard the song elsewhere, like Viva l'Italia, which I've heard before knowing it was part of the ESC)

I don't really watch the nationals either. I did once, for Spain (the finals). I was gonna do it another year, for Spain (not sure which year came first tbh), but the one song I knew ahead of time, by Rakky Ripper, did not make it onto the finals :(

Honestly, I wonder what the best way to enjoy ESC would be. Following semis? Nationals?? How much should I invest myself? But then I think it works as is, and would be too much work following everything. Plus, a lot more options to my already large pool of artists and music.

[–] clay_pidgin@sh.itjust.works 1 points 20 hours ago* (last edited 18 hours ago) (1 children)

Watching the national finals starts to feel like work. This year there were, I think, three Super Saturdays with several multi-hour shows to watch. Oof.

Benidorm Fest from Spain is usually good. San Remo (Italy) is great, of course, since they're the template on which the ESC was based and because the Italians view THAT as the real show. Ukraine's Vidbir is interesting because you can tell they have no budget and are often bombed during the show. Portugal's Festival de Cançâo has some amazing songs, because they don't care about winning ESC, they're just focused on highlighting the best Portuguese acts.

I have some favorites from 2025 that didn't make it out of the national finals - From Ukraine I loved Future Culture's Waste my Time Vidbir Live - Music Video . From Finland I'm still listening to Goldielocks's Made Of UMK Live - Music Video . Germany sent the wrong song again, they should have gone with Feuerschwanz's Knight Club is super fun. NDR live - Music video .

I found the Eurovangelists podcast, and they're a lot of fun to follow along with. Taking in too much media ABOUT the contest can color your enjoyment of the songs, though.

[–] lemmyknow@lemmy.today 2 points 11 hours ago (1 children)

Well, best I get before the show is a Switched on Pop podcast episode about Eurovision. And I may or may not hear it before the show, depends on how much I care about going in unknowing to the finals. Portugal did definitely make a banger this year, and so did Italy. Viva l'Italia was one of my favourites ahead of the finals, and Espresso Macchiato won me over quickly. I wasn't at first big into the eventual winner, but soon as they were the only one left for scores at the very end, I quickly changed my mind and needed them to win (I got kinda heated there…). Plus, the song isn't bad either (though I wanted Espresso Macchiato higher up, and will deem it second place in my mind)

[–] clay_pidgin@sh.itjust.works 1 points 7 hours ago (1 children)

Italian had a great presence this year, with their own good song (#5), the unexpectedly fun San Marino (#26) entry, and the fake Italian song from Estonia (#3). I hear Italians were pretty pleased!

I had expected Sweden (#4) or Finland (#11) to win, but my favorites were Albania (#8) and Latvia (#13).

Austria performed really well and I knew the jury would love it, but I only really rooted for him toward the end of voting because the alternative was infuriating.

[–] lemmyknow@lemmy.today 2 points 4 hours ago (1 children)

I can wholeheartedly agree on the last paragraph. I truly did a full 180. Was almost screaming at the TV in the middle of the night lmao.

I can also wholeheartedly agree on the first paragraph. Gabry Ponte's Tutta L'Italia for San Marino was my favourite before I even watched anything, because I knew it and liked ir ahead of the final. Estonia's Espresso Macchiato, by Tommy Cash. What a banger as well. Won me over quick. Was my pick for winning. Italy's own song was also good, I quite liked it. More on the chill side. Interesting that this whole paragraph was about Italy, even though I'm talking three different entries by three different countries and groups of artists (Gabry Ponte, for San Marino, is Italian. Not Tommy, though, afaik)

[–] clay_pidgin@sh.itjust.works 1 points 3 hours ago (1 children)

I'm pretty sure Tommy is Estonian. He's got a bonkers video with Käärijä, too.

[–] lemmyknow@lemmy.today 2 points 3 hours ago (1 children)

Well, I am sorta familiar with Tommy, to an extent. His 100 gecs remix with Hannah Diamond, his collab on an Umru track, he's got songs with Charli xcx, Oliver Tree & Little Big, etc.

I've never been kinda sure if I like him. He's got some bangers, that I know of (it's mainly collabs that I know), but some of his lyrical themes are kinda… idk. Can rub ya off. Like linking one's assumed inability to handle a stick by virtue of driving automatic to a supposed inability to handle certain private parts that one can take as similar to a stick in some ways; or comparing the easiness of death to the hardness of life (I can deal with that theme better, but I imagine it could trigger someone who might have depression, idk)

[–] clay_pidgin@sh.itjust.works 1 points 2 hours ago

He's got a really interesting vibe, but the guy can't sing.

The collabs I've seen were all pretty fun.

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