Rottcodd

joined 2 years ago
[–] Rottcodd@ani.social 1 points 7 hours ago

Exactly. And meanwhile, the OP is on Reddit, where we're not.

It's sort of like going to a restaurant and being served a picture of some food from some other restaurant.

[–] Rottcodd@ani.social 2 points 9 hours ago

Binged this last night, and it is very good. Not perfect by any means, but very good.

And the ED's still in my head.

[–] Rottcodd@ani.social 3 points 9 hours ago* (last edited 6 hours ago) (2 children)

Good riddance.

The whole idea of reposting Reddit content on the fediverse has always been stupid and toxic. It's never going to get any meaningful engagement, so it's just a waste of server space at best.

[–] Rottcodd@ani.social 2 points 1 day ago

Sort of thinking through my fingers here...

The first notable one I can think of is watching the entire run of Elfen Lied in a single sitting, so 12 episodes. I've done that a number of times since though, most recently with the first season of Zombieland Saga.

One curious one was Magic Knight Rayearth. I watched most of the first season - 20 episodes - in a single day, but not so much because I was so hooked on the story. What it was was that if I didn't catch it in time at the end of one episode, the next episode would start, so the OP would start, and that was it. There was no way I could turn off what is, IMO, the best OP ever, so I'd end up just letting it go, which led into the episode, and so on. I'm not sure how many total episodes I watched that way though.

I can only think of one instance when I'm certain I watched more than a single season/cour in a single sitting, and that was The Apothecary Diaries. I watched the first half or so of the first cour of the first season one day, and it was certainly good, but it hadn't yet fully hooked me. But then when everything started coming together in the second half of that cour, I couldn't stop, and I watched the rest of it plus the entire 12 episode second cour in one long binge. I'm pretty sure that started from about the time that Maomao went home to visit her father, which was episode 7, so that's 18 episodes or about 7 hours.

[–] Rottcodd@ani.social 7 points 2 days ago* (last edited 2 days ago)

There's nothing quite like it really.

The closest comparison I can think of is Drifting Classroom, but it never got an anime adaptation.

Bokurano is similar in some notable ways, but it's an ensemble and set in (more or less) our world.

Casshern Sins is sort of oddly similar - broadly similar setting and tone and a lot of the same themes, though a much different story.

I guess Noein is sort of similar, insofar as it's a cast centered on children, the stakes are much bigger than they initially seem and tragedy lurks around every corner, but it's different in most details.

And Kaiba is actually sort of very broadly similar too - much different setting, artstyle and story, but a similar downbeat tone and broad subject of people, and mostly children, at the mercy of a screwed-up world.

And I can't think of anything else even vaguely similar.

[–] Rottcodd@ani.social 2 points 2 days ago

Fate/Stay Night - couldn't say - it's never interested me. Note that it's not "forgotten" by any stretch of the imagination.

Mushishi - very, very good. And entirely the opposite of "forgotten" - hardly a week goes by that I don't see it mentioned in some context.

xxxHOLiC - Clamp. I can sort of see what I guess the appeal must be, but have no interest in investing the necessary time and effort.

Negima reboot - important to stipulate "reboot," since the first series was ridiculously awful - like they actually went out of their way to try to make it as bad as possible awful. The second series is okay. The manga's better.

Witch Hunter Robin - I've bounced off of it three times now. It looks intriguing, but for some reason...

Hellsing Ultimate - I prefer the original.

Tsubasa Reservoir Chronicles - Clamp^2

All in all, a pretty awful list. Here's a better one, just off the top of my head:

  • Scrapped Princess
  • Casshern Sins
  • Trinity Blood
  • Now and Then, Here and There
  • Ghost Hound
  • Solty Rei
  • Last Exile
[–] Rottcodd@ani.social 1 points 3 days ago* (last edited 3 days ago)

Yeah - that was a good Jugemu.

And I'm tempted to drop this right here. I just have no hope that what's going to come next is going to be satisfying.

longish rantThere was a scene in this episode that neatly illustrated why I've gotten so disillusioned with this series - Issho after Akane's performance.

They show him rising up with that full angry look on his face, then sneering that Akane knows that she shouldn't even be there, and she immediately agrees. Then that's it - they end the scene and jump forward to backstage afterwards. We don't get to see whatever that interaction was - we only get to hear a description of it later. And what's the description? That he went on to tell Akane that a professional shouldn't be disrupting a competition for amateurs.

So in spite of the full angry face and the sneering delivery, he went on to pay her an extremely high compliment.

So the full angry face was a fake-out. Why? Because they still have to pretend that the whole beginning of the story meant something because Akane hasn't yet had the one-on-one confrontation with him that was the entire point in the beginning, so they still have to go through the motions of making Issho look like a villain just a little bit longer. But the reality is that they're laying the groundwork for pretending that his full angry face all along was just a fake-out, including, most notably, when he summarily expelled everyone, including Akane's dad, six years ago. Why? Because the whole idea that he was some sort of villain that Akane was going to confront - the whole driving force behind her decision to dedicate herself to rakugo - is going to end up being tossed aside.

And why didn't they show the rest of the scene between Akane and Issho when she was on stage? Because it was stupid. It's a stupid concept. There's no way that they could've started with that entirely threatening intro, then shift to Issho calling her a professional competing against amateurs without it turning stupid some way or another. He'd look stupid making that switch, and she'd look stupid listening to it. AND then it would completely deflate the whole one-on-one that the entire series has been building up to. How could she go in there with a full head of steam to confront him over her dad getting expelled when he just paid her a ridiculously high compliment in the competition? She couldn't. So they didn't show the scene. They included it, because it was necessary for it to be there to retcon the entire narrative, but they couldn't show it because it was too stupid - because this whole retcon is too forced and too stupid and they have no way of actually showing it in detail without revealing that fact.

And now what do we get? She goes in to confront him - the moment that the entire series was initially built toward - and when she asks her question, he stands up and smiles like a Disney princess meeting her beloved. Why? Obviously I can't know, but it's pretty safe to assume that it's because that's going to be the debut of the fully retconned Issho, and he's going to vomit out a whole spiel about how much he loves rakugo and how desperately he wants it to continue, but that required making some hard choices and it hurt him to do it but he had to shake things up because that whole generation of rakugoka was too conservative and too timid and the craft needed new blood and now look - there's Akane and smug guy and voice actress and they're all wonderful and he loves them all so much and blah blah blah blah blah. And it's going to be smarmy and repulsive.

And I have a further prediction beyond that - one way or another, she's not going to be entirely taken in by his response, because there needs to be one more gross retcon scene.

Who haven't we seen hardly at all in all of this? Akane's dad. Why? Because they're saving him for the penultimate scene, in which he tells Akane that Issho was right to expel him and he really shouldn't have been trying to become a rakugoka and he's better off now and she's better than he would've ever been anyway and Issho's right and she's the future and blah blah blah blah blah.

And then the transition from an engaging tale of betrayal and determination and a quest for justice to an insipid Jump perpetual motion machine will be complete.

I hope I'm wrong, but I don't think so. There's just been too much insipid garbage already (and especially that scene after Akane's performance, or more precisely, the fake out introduction to the scene and then the after-the-fact capsule description of it) and I can't see it leading anywhere else.

[–] Rottcodd@ani.social 2 points 4 days ago

They completely explained the mystery, and unless they have an unusual season of 11 episodes, there are two more episodes left. That’s quite a lot of time to spend after the mystery has been explained.

I was wondering about the same thing.

From what I can find on the database sites, it is indeed scheduled for 12 episodes. So obviously something has to happen, and something relatively momentous (or at least that will be seen as momentous by Bertia, which will in turn make it momentous for Cecil). I can't imagine what though.

I hoped after last week's episode, and sort of suspect really, that Heronia and Pii-chan will get some sort of happy ending. Maybe something that oddly fits in with the game canon?

Yeah - more broadly, as I think about it, this needs some sort of resolution that will satisfy Bertia as well as Cecil - something that's close enough to game canon to lead to Bertia accepting that that's the way it's "supposed" to be, and that will still allow Cecil to get the ending he wants (and really the ending that Bertia wants too, though even she doesn't yet realize that).

We'll see, and I'm looking forward to it.

[–] Rottcodd@ani.social 1 points 6 days ago* (last edited 6 days ago)

This is turning into a really impressive series, and I suspect it's not even close to done surprising us.

It just seemed silly and pointless at first, but throughout the series, sort of in the background (undoubtedly not coincidentally like the growing collection of presents and mementoes in the goddess's chambers), it's been assembling a cast of characters and laying out an overarching plot. And over the last couple of episodes it's started revealing it.

I can't wait to see what it's going to do next (and I'm especially keeping my eye on the giggling plant with the ridiculously long name - the goddess isn't paying it that much attention for nothing).

[–] Rottcodd@ani.social 2 points 6 days ago

Since I decided to drop all of the ongoing series that I thought would be better binged, I had some free time last week, and I've been exploring donghua lately, and decided to go back and watch the beginning of a series that's currently on its seventh season - Quanzhi Fashi aka Full-time Magister aka Versatile Mage. And I liked it.

It's pretty straightforward - magical academy and a student who's derided as a loser but then reveals himself to actually be far and away the most powerful mage there. It's sort of what Mahouka Koukou no Rettousei could've been if the MC was a genuinely nice guy instead of a tediously arrogant asshole. There weren't any big surprises, but it was pleasant to watch him grow and improve, and there was enough background context to make it especially enjoyable when he inevitably curbstomped his unjustifiably arrogant rivals.

And there was a bit of a hint at some very dark background that I suspect is going to become much more important as the seasons go on.

[–] Rottcodd@ani.social 2 points 6 days ago

Just caught back up with this, and wow. They did it again.

It's been an odd series, because while the basic idea is strange, most of the story has been relatively straightforward. Not without drama, but the drama for the most part hasn't been anything too far beyond the norm for school slice of life. But then suddenly they'll drop in some huge gut punch of an event, and it's like everything comes to a screeching halt, just left standing there, staring agape at what just happened.

I keep thinking, "I can't believe they just did that." But they did. And then it sort of slowly recovers, regains its feet, and starts moving again.

I'm really curious to see where it's going next, because basically the whole school now has been clued in to the existence of the replicas.

I suspect that it's going to be another gut punch.

[–] Rottcodd@ani.social 2 points 6 days ago (1 children)

The Ramparts of Ice

I've been thoroughly enjoying the anime adaptation. And as I recently commented on the latest episode's thread, I've realized it's been doing something fascinating.

Not just the tone and feel of the story, but the actual depictions of the characters - their design and artstyle and movements and gestures and everything - have changed as the characters (mostly Koyun) have changed.

There was an early clue when an episode ended with a confrontation between Koyun and Minato that ended up with her blowing up at him, and seemingly entirely justifiably, and then the next episode opened with the exact same interaction from Minato's point of view, and it wasn't just different - it was almost as if it was an entirely different interaction. There was virtually no correspondence between what Koyun thought she was hearing and saying and what Minato thought he was hearing and saying.

But the really impressive thing is that that's become a part of the series. As it's gone along, the same people and things, either as seen from different viewpoints or even just from Koyun's viewpoint at different times, have been constantly changing.

Like there might be a scene of a conversation between Koyun and Yota, and it will start from Koyun's POV, then switch to Yota's, then to Miki's, then to Minato's. And each version of the scene will actually be somewhat different - it's all the same scene, but it's not even just that the different versions will be interpreted differently - to us, the audience, they're actually portrayed somewhat differently, as each version is filtered through the presumptions of the current POV character.

Similarly, when they first showed Igarashi, he actually looked dark and sinister. Everything about him - his posture, his build, the look on his face - everything - was threatening. He'd sort of loom up somewhere in Koyun's peripheral vision, looking like a pure villain. But already, as it's gone along, though Koyun hasn't yet entirely revealed the story behind her reactions to him, he's been changing. Every time he appears, he looks a little less villainous and and a little more just human. And in this most recent episode, as they're moving toward Koyun finally telling the whole story, I was keeping an eye out for him to appear, and when he did, I barely even recognized him, since he looked... perfectly normal. His eyes and his hair were recognizable, but other than that, he just looked like any other guy, rather than the dark and evil weasel he looked like earlier in the story.

And that's a really neat trick that I don't think I've ever seen before.

And what you've said here about the manga seems to tie right in with that.

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