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I think there’s something to this. Even if the album isn’t great, simply sitting with it and experiencing it is instructive.
It’s strange to think, but in the late 90s, albums were a bit of a cynical play. “I like this band or performer, let me get all that they have to give. I will spend $20+ on an album where a $5+ single might have given me the best they had to give.”
Which is not a knock against the concept album. I quite like those. The Who; or more recently The Mars Volta.
But wrapping around to my point about slow tech — if you put an album in a CD player and listen to it start-to-finish — has something been gained? I would say yes. This is what the performer wanted you to hear. Good or bad.
Yeah thats the thing. The artist has to be interested in making a album not just making a few hit songs and then filling up space. Luckily thats mostly a issue with pop music, the stuff I listen to tends to be more in line with creating a package.
One of the best things an album can do is put you into a sort of a trance, where you just listen and sink into the music. Only when the album ends you snap out of it, wipe the drool off your face and chest, get up and try to deal with life again lol.