Tenthrow

The spouse and I went to see Bottoms this weekend. It was one of the best comedies I've seen in years. Sort of cross between Fight Club, Superbad, and Starship Troopers (the satirical bit). I'd recommend this movie to anyone that can handle the crass content.

cross-posted from: https://lemmy.world/post/4881141

I'll be watching my yearly staples but would love some new suggestions as well. We could all use a decent dark one as we exit this hellscape of a summer.

My yearly list:

• Hellraiser (1987)
• Psycho (1960)
• The Guest (2014)
• Rosemary's Baby (1968)
• Tucker and Dale vs. Evil (2010)
• Cabin in the Woods (2011)
• It follows (2014)

These are the ones I almost always see over the next two months and I sprinkle in a lot of others from brand new to very old ones. Let's hear yours! (And we can talk about them too!)

cross-posted from: https://lemmy.world/post/4881141

I'll be watching my yearly staples but would love some new suggestions as well. We could all use a decent dark one as we exit this hellscape of a summer.

My yearly list:

• Hellraiser (1987)
• Psycho (1960)
• The Guest (2014)
• Rosemary's Baby (1968)
• Tucker and Dale vs. Evil (2010)
• Cabin in the Woods (2011)
• It follows (2014)

These are the ones I almost always see over the next two months and I sprinkle in a lot of others from brand new to very old ones. Let's hear yours! (And we can talk about them too!)

I'll be watching my yearly staples but would love some new suggestions as well. We could all use a decent dark one as we exit this hellscape of a summer.

My yearly list:

• Hellraiser (1987)
• Psycho (1960)
• The Guest (2014)
• Rosemary's Baby (1968)
• Tucker and Dale vs. Evil (2010)
• Cabin in the Woods (2011)
• It follows (2014)

These are the ones I almost always see over the next two months and I sprinkle in a lot of others from brand new to very old ones. Let's hear yours! (And we can talk about them too!)

cross-posted from: https://lemmy.world/post/4859270

The Maltese Falcon is a 1941 American film noir written and directed by John Huston in his directorial debut, based on the 1930 novel of the same name by Dashiell Hammett and indebted to the 1931 movie of the same name. It stars Humphrey Bogart as private investigator Sam Spade and Mary Astor as his femme fatale client. Gladys George, Peter Lorre and Sydney Greenstreet co-star, with the last appearing in his film debut. The story follows a San Francisco private detective and his dealings with three unscrupulous adventurers, all of whom are competing to obtain a jewel-encrusted falcon statuette.

The film premiered in New York City on October 3, 1941, and was nominated for three Academy Awards. Considered one of the greatest films of all time, it was one of the first 25 films selected by the Library of Congress to be included in the National Film Registry for being "culturally, historically, or aesthetically significant". It is a part of Roger Ebert's series The Great Movies and was cited by Panorama du Film Noir Américain as the first major film noir.

Wikipedia on the film

Free .pdf of the novel by Dashiell Hammet

cross-posted from: https://kbin.projectsegfau.lt/m/moviesandtv@lemmy.film/t/54907

The Warner Bros. Discovery CEO also addressed the ongoing writers and actors strikes, and the Disney-Charter dispute: "It feels like this is a moment."

I don't know much about this project, but this is definitely the kind of poster to pique my interest. Fascinating cast list too.

cross-posted from: https://lemm.ee/post/6061158

The Film is based on a novel of the same name by Alasdair Gray

PLOT: Bella, a young Victorian woman who, after being crudely resurrected by a mad scientist following her suicide, runs off with a debauched lawyer to embark on a surrealistic odyssey for self-discovery and liberation

Interesting cast list!

cross-posted from: https://lemm.ee/post/6061158

The Film is based on a novel of the same name by Alasdair Gray

PLOT: Bella, a young Victorian woman who, after being crudely resurrected by a mad scientist following her suicide, runs off with a debauched lawyer to embark on a surrealistic odyssey for self-discovery and liberation

cross-posted from: https://lemm.ee/post/5993944

At this point TwitX is just making it too easy.

On Sept. 1, a bill with the pithy title “An Act Relating to State Preemption of and the Effect of Certain State or Federal Law on Certain Municipal and County Regulation” will take effect in Texas. The bill —signed into law by Gov. Greg Abbott in June—was given a much zippier name by its opponents: “Death Star,” because it could obliterate whole swaths of city and county laws and regulations.

“Basically, it’s the greatest transfer of power away from the public and into the hands of a few people in Austin that we’ve ever seen,” said Texas state Rep. John Bryant. “This handful of people that want to control our state do not want cities acting in their own interests. They do not want any city making policies that get in the way of their ideological and financial objectives.” Maybe Bryant and other Death Star critics are right—but we’ll know how big the transfer of power truly is only after everyone figures out what the bill actually says and does, and only if it survives the legal challenges several of Texas’ biggest cities have already filed against it.

The goal of Death Star is simple. The deeply conservative Texas Legislature wants to effectively deny cities—the state’s large Democratic-leaning cities, Houston, San Antonio, and Austin in particular—the ability to pass local laws and regulations in eight major policy areas: agriculture, business and commerce, finance, insurance, labor, natural resource law, occupational law, and property law. And it does all this in a bill that is 10 single-spaced pages long, nearly one page of which is legislative findings, not actual law. Which is where the problems begin.

Death Star does not aim to affirmatively lay out regulations at the state level; it simply attempts to thwart local regulations. Thus, the entirely of the provision that denies local governments the ability to regulate the insurance industry is just this: “Unless expressly authorized by another statute, a municipality or county may not adopt, enforce, or maintain an ordinance, order, or rule regulating conduct in a field of regulation that is occupied by a provision of this code. An ordinance, order, or rule that violates this section is void, unenforceable, and inconsistent with this code.” That’s it. It then repeats this language across all the various other fields, although in a few cases it adds an extra clause or two to identify specific subfields it really wants to make sure are preempted.

Problematically, as the city of Houston points out in the lawsuit it filed last month challenging Death Star as violating the Texas Constitution, these provisions lack any clarity. The new law, for example, never defines what it means for state law to “occup[y] a provision of this code” outside of the few explicit provisions noted above, making it very hard for cities to know what regulations are at risk. Houston has argued that it is unconstitutionally vague and that the Texas Constitution and state Supreme Court decisions have made this sort of “field preemption”—in which the state does not replace local law with a state alternative but simply declares whole areas ineligible for local rule making—unconstitutional under Texas law. San Antonio joined the lawsuit late last month.

The sweeping language of Death Star is likely seen more as a feature than a bug by the bill’s drafter, state Rep. Dustin Burrows, who all but brags that it is going to fall to the courts to decide what regulations are actually preempted. Importantly, the bill contains a provision that allows any individual or trade association to challenge any local regulation in court—and, if they prevail, requires the county or city to pay all the challenger’s costs and “reasonable” legal fees. Those who challenge a regulation and lose have to pay those costs only if the court finds the challenge “frivolous,” leaving the city to pay its own costs (though not those of the challenger) if it wins cases the courts see as non-frivolous. So, county and city governments assume financial risk if they attempt to defend a regulation and clarify Death Star’s reach.

e; added bolding (which wasn't in the original) and italicization (which was)