this post was submitted on 09 Mar 2026
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Anime & Donghua

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Tired.

Manga

Same as usual, I have been very slowly continuing GTO, Inari Konkon, and keeping up with Shibuya Near Family. Something I like about GTO is how Vice Principal Uchiyamada is frequently the butt of the joke, the subject of Onizuka's accidental torment; and the mangaka goes out of the way to show that he is absolutely a terrible person with very few redeeming features.

Anime

I am almost done with The Twelve Kingdoms, and yet it feels nowhere near done. It's good.

Sailor Moon S is a step forward compared to the previous seasons, and that is largely because of the more eccentric villains. It's good.

Cardcaptor Sakura is a cozy, and so far low stakes show. It is something I did not know I wanted to watch. Very good.

Space Battleship Yamato holds up very well to this day, and the very 70s soundtrack makes it better. It was extremely ambitious back in 1974, and it is significantly grander in scape than like 95% of slop airing these days.

You're Under Arrest is episodic (copaganda) fun with an ensemble cast, and basically a very slightly worse Patlabor with no mecha. The show's biggest strength lie in the world created. The authors are good at not only creating memorable side characters, but also not forgetting about them.

I have started Overman King Gainer today. The OP is iconic from the moment you witness (or hear) it. The show has a good start, but I am waiting for Tomino to explain the setting more.

Live Action

I have started a project of a Martin Scorsese filmography dive. Who's That Knocking at My Door was mid. Boxcar Bertha wasn't that good of a movie, but the topic was unusual (it's an adaptation of a novel by an anarchist, and union struggles in 1930s America are the core of the story). Mean Streets was fun. Alice Doesn't Live Here Anymore was a major surprise, and an excellent movie with a perhaps somewhat lacking ending. Taxi Driver deserves its reputation. It is a very interesting movie.

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[–] Erika3sis@hexbear.net 4 points 3 weeks ago (1 children)

comment 2 of 2The Owl House fucks so hard for real. I've been saying this ever since I started showing it, but if you haven't seen The Owl House…… I mean, it's your choice what you spend your time on, but it is REALLY good. And it also got REALLY gay in the last batch of episodes I watched — the episode with Grom I mean. Incidentally, grom is Russian for "thunder, roar" — I wonder if that factored into that creature's name, or if the writers were just like "we need a name for a monster that's one letter off from prom, and sound symbolism says that 'grom' works best"?

Alas, because we're in the part of the year where Turtle Island has switched to DST and Europe is still on standard time, I've had to put The Owl House on hold for a bit. Or I guess "had to" and had to, since I could just start my shows at 10 PM my time, but I do prefer to start at 11 PM when I can.

People said they liked Trigger Happy Horses, but the chat was pretty dead for most of the movie.

Regarding My Little Pony: A New Generation, come Saturday I'll probably agree with my past self and say that it's a serviceable — if not outright Fun — movie, but still far below MLP G4.

Fireman Sam continues to be a very cute little stop motion slice of life. Once I finish showing series 5 I guess I'll move on to Joshua Jones. But imagine if something like Cardcaptor Sakura were in the Sam-Jones stop motion style, that would rock, right?

SHINE was very technically competent and I think the use of narration was a good choice for the limits of the medium, but unfortunately it never got a second episode.

By contrast, Magic Heart and the Magical Warriors is probably the longest fanime of all time; I'll be showing episode 2 this Wednesday alongside some Soviet movies. What's notable about Magic Heart aside from its length, age (starting in 2007), and weird-ass geometric art style, is the voice acting — it's all Microsoft Sam! The characters have literal ROFLcopter Bonzi Buddy ass voices, presumably because the creator didn't speak English as a first language and didn't have access to any other voice actors (or maybe just didn't want to deal with doing voice direction over the Internet).

My own fanime I'm slowly but surely working on, Blazoner Narazen, also uses machine-synthesized voices — albeit using Retrieval-based Voice Conversion rather than text-to-speech, to give me full control over the intonation and meter of the acting. But ultimately I have to acknowledge that Magic Heart's use of Microsoft Sam is for similar reasons as BlaNara's use of RVC: the only meaningful difference is 20 years of technological advancement.

Camden once said something like, "In the future people will use GenAI to make fanime and it will be indistinguishable from the original thing" — which I thought was honestly pretty disrespectful to the medium. Fanime is to me something defined by its "spirit" first and foremost: the spirit of making things for the sake of making things, even if the end result is poorly drawn, poorly acted, and poorly written, or otherwise "cringeworthy". Offloading that to generative AI just defeats the purpose! The point is not that fanime is an anime-inspired animation created (or in the case of GenAI "created") by an anime fan: the point of fanime is in the creative process, in the drawings that through their flaws show how they were made, you know? So the uses of machine learning technologies that are acceptable in fanime in my view are those that adhere to this Fanime Spirit™.

But that's enough of that tangent.

It was good to return NEW GAME!!. We'll presumably finish it on Sunday, after which we'll have to choose something else to watch together. It was also fun to show ol' Aeroo Chitanda various songs I liked, and she also showed me a song she liked in turn, Bao The Whale's "Final Bow", a Vtuber song that vaguely reminded me of Eir Aoi's "Sirius" from Kill la Kill. I think she might've also shown me another song in the intermissions but I didn't make note of it, alas.

Cardcaptor Sakura remains a favorite of mine, but Garg's wapas were my first time seeing the movies. A good time was had by all.

Magic Knight Rayearth is another CLAMP anime. I've tuned in for the first eight episodes but frankly they haven't impressed me nearly as much as Cardcaptor. Part of that is probably just because it's hard for me to follow along on the chat and the subtitles at the same time, especially when I'm tired and distracted by [gestures broadly at the absolute state of things]. Following along on the subtitles is a much smaller issue when the thing being shown is an anime I've already seen before.

Apropos anime I've already seen before, Gurren Lagann: It fucked way harder than when I watched it for the first time yeeeaaars ago, but the movie was disappointing.

Courage the Cowardly Dog is another old cartoon I'd wanted to get a taste of just to familiarize myself with others' nostalgia. I was surprised that the dog talked, I kinda thought the dog only whimpered. Frankly, I think it would've been better if the dog only whimpered.

Archer and Panty & Stocking with Garterbelt are interesting because they're both kinda gross and vulgar for the sake of it, but I didn't care for the former but look forward to the latter every week. I first tried Panty & Stocking yeeeaaars ago and basically rejected it because of the grossness and vulgarity, but this time around I've responded to it much better. Is the social aspect part of my enjoyment? Probably, but that raises the question of why I didn't care for Archer.

[–] AernaLingus@hexbear.net 3 points 2 weeks ago (2 children)

Incidentally, grom is Russian for "thunder, roar"

TIL!

the voice acting — it's all Microsoft Sam

Me trying to find Japanese videos about speedrunning to practice listening to native Japanese speakers but every time I click on one it's just those got-dang 2hu TTS thingamabobs kiryu-slam (but as you say, I'd totally be the one using the TTS if I were a Japanese person making videos about vidya on NND 15 years ago, so I can't be that mad)

Fanime is to me something defined by its "spirit" first and foremost: the spirit of making things for the sake of making things, even if the end result is poorly drawn, poorly acted, and poorly written, or otherwise "cringeworthy".

Hear, hear! Even though I'm not a fanime enthusiast in particular, this is absolutely how I feel about art more broadly. I want to see the actual human who made it in the end result!

Adam Neely did a great video on AI generated music recently, and one of the interesting things he teased out is that people who use AI to "compose" don't cite any influences—AI or otherwise. Personally, one of the most gratifying things about music is understanding it on a deeper level—both from analyzing the notes/techniques/textures themselves purely in the context of the song, but also tracing the lineage of musical ideas: "Oh, that kind of chord voicing comes from X composer" or "That lick is definitely a reference to Y's solo" or "That production technique was made popular by Z". This gives the listener an idea of the unique blend of music that shaped the composer's style, and can point to more things to listen to in order to broaden their musical palate and historical perspective.

I think she might've also shown me another song in the intermissions but I didn't make note of it, alas.

I'm fairly certain it was just the one song, but if there was another, it can't have been very good if neither of us remember it doggirl-grin

Apropos anime I've already seen before, Gurren Lagann: It fucked way harder than when I watched it for the first time yeeeaaars ago, but the movie was disappointing.

Never saw the movie—from what I've heard, it's a recap with a bit of new animation, no?

Courage the Cowardly Dog is another old cartoon I'd wanted to get a taste of just to familiarize myself with others' nostalgia. I was surprised that the dog talked, I kinda thought the dog only whimpered. Frankly, I think it would've been better if the dog only whimpered.

Genuinely never seen any of this show (see above: no cable)—only know what it looks like from still frames—so I'm curious to know what you mean but I think I prefer to keep it a mystery (at least in terms of direct experience).

Archer

I remember enjoying it well enough, but that was a long time ago and I doubt I'd enjoy it as much now, as much as I like H. Jon Benjamin. I watched it with a friend, so like you said, that may have contributed a lot to the enjoyment.

Panty & Stocking with Garterbelt

I think I've only seen the transformation sequences and maybe some random scenes which I've forgotten. Doesn't seem like my kind of show, but I've heard that the music (courtesy of prominent Japanese composer/producer TeddyLoid) is pretty great.

[–] Erika3sis@hexbear.net 3 points 2 weeks ago (1 children)

Adam Neely did a great video on AI generated music recently, and one of the interesting things he teased out is that people who use AI to "compose" don't cite any influences—AI or otherwise. Personally, one of the most gratifying things about music is understanding it on a deeper level—both from analyzing the notes/techniques/textures themselves purely in the context of the song, but also tracing the lineage of musical ideas: "Oh, that kind of chord voicing comes from X composer" or "That lick is definitely a reference to Y's solo" or "That production technique was made popular by Z". This gives the listener an idea of the unique blend of music that shaped the composer's style, and can point to more things to listen to in order to broaden their musical palate and historical perspective.

Well said. I hadn't thought of it that way before.

from what I've heard, it's a recap with a bit of new animation, no?

Basically. The new animation is pretty much just at the very beginning and end, though, as I understand it, and the ending diverges a bit from the original series.

so I'm curious to know what you mean but I think I prefer to keep it a mystery

I guess it's difficult to put it into words, but I want to say that it felt "lazy" to have the dog talk. Which I guess makes sense when they're making an episodic TV cartoon, but like…… if Courage could only communicate through regular dog noises, the way the writing would have to compensate in order to convey Courage's thoughts, feelings, motivations and overall character, that would've been interesting. It would've been like the Tom & Jerry of horror, right? That's something I'd like to see.

but I've heard that the music (courtesy of prominent Japanese composer/producer TeddyLoid) is pretty great.

Heaven, please sing for me a song of liiiife has been going through my head regularly since Clara started showing PASWG. It's yet another song in the growing pile I'd like to write new lyrics for and karaoke. PASWG is also often said to be better dubbed than subbed. My first time watching it was basically just me trying to get into something a classmate of mine liked, but it didn't work out.

Another thing that stood out to me about PASWG is how much of Kill La Kill's "DNA" clearly comes from it. I vaguely feel like I've also heard something about how Cutie Honey from the '70s is sort of the progenitor of "magical girls but with sex and/or nudity", but I don't know much of anything about that, so it would be interesting to see if I could recognize some of PASWG's DNA there.

[–] HexReplyBot@hexbear.net 1 points 2 weeks ago

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[–] HexReplyBot@hexbear.net 1 points 2 weeks ago

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