I just wanted to highlight this rather simple comment and suggestion from @@TraschcanOfIdeology@hexbear.net. This youtube series is a great watch.
Avatar: The Last Airbender might have some rather lib'd up parts, but there was so much more interesting philosophy in that show. Specifically surrounding the idea of rehabilitation regarding Zuko. It handles the nature of empire far better as well when dealing with the Fire Nation.
There are so many things about Korra that could have been interesting things to explore. It's mentioned in the video series, but the thing that has always stood out to me is the cheapening of bending as a form of both labor and cultural and personal expression.
In ATLA, there are many feats of bending that are held in extremely high regard, especially in terms of the skill required to perform them. Metal Bending is the result of Toffs extremely developed earth bending skills. Lightning Bending is a skill reserved for only elite fire benders, and the power to redirect lightning is held by only two characters in the whole series. Aang learns the power of the Avatar State through much struggle, and also learns the ability of energy bending from an ancent mythical creature.
There is this real sense of connection between Bending and Nature expressed on ATLA. The idea that some of the original benders were natural creatures, like Dragons, or Badger Moles or Lion Turtle drives home this idea that in order to bend an element, you must be in tune with that element, understand it in both a physical and spiritual capacity.
But in Korra all of that uniqueness is wiped away. Now, tossing lightning is the work of Power Grid laborers. Something your average fire bender can perform for a wage at the electrical company. Pro Bending is a kind of distillation of the bending art form into extremely narrow base components and movements that restricts the kind of creativity and expressiveness found in ATLA, and all performed in a hyper-competitive environment for the chance at becoming rich and famous. Blood Bending, once something only capable of being performed under a full moon, is something that can be trained to perform under any conditions. It's become a powerful bending tool that can even take away someone's bending. The implications of which are beyond the scope of what I'm writing here, but just another example of the cheapening of ATLAs feats. Even Aang is thrown into the mix, being shown to use his energy bending ability to punish low level criminals (by comparison).
In the case of lighting bending and pro bending, these are expressions of a kind of alienation we all understand to be a core attribute of Capitalism. This is an interesting idea that the show never explores. What does it mean to be an Earth Bender, in a world where the cultural norms associated with earth bending and the earth kingdom have been destroyed, or warped, by these new social relations? What kind of techniques and skills could have been lost under seeking this new, more efficient form of bending? And what does it mean to be a "master of all 4 elements" in world where increasingly, bending is being whittled down to only its most useful forms in support of this new industrial world?
One could imagine an avatar series that draws on similar themes to that of Princess Mononoki or Castle In The Sky. One that tries to find the "balance" between industrialization and our existence within nature (aka the connection to the elements). Instead, what we get is a show that undermines the achievements of its predecessor, while having almost nothing of value to say at all.
The horror of her fascism is never explored as the writers liberal ideology just expects you to be against her over aesthetic signifiers and plot details exposited to you.
All three seasonal villains before her had genuinely bonkers ideologies (destroy the worlds bending magic because dad didn't like me, unleash and fuse with the Christian Satan, "order is disorder" liberal caricature of anarchy) that tackled zero material problems and only served to explain why liberalism is best.
There is little to no development to kuviras society that they will show you her defeating warlords and bandits and rescuing villages left behind by liberals refusing to act and then have an offhand reference to reeducation camps and treats the characters who believed in her mission like idiots (and the subsequent tween/teen audience) for not figuring it out (but not culpable).
Shes definitely the horseshoe theory of "totalitarianism" but the writers actually just fell in love with her so they just made her downfall connected to some asinine childhood trauma.
Saying she radiates Hitler particles is giving the writers too much credit to actually depict fascism and not just showing how liberalism is always superior and every other ideology is destined to fall apart.
The only time we see her ~~strongarm~~ rescue a village on screen was early on in the season, one that didn't really want much to do with her to begin with. Hell I was expecting a scene where she was paying off the 'bandits' that caused said village to be strongarmed by her, but that scene never came.
Should I mention the time her armored command train comes under attack by 'bandits' (people who are likely desperate, and trying to survive ever since the last domino fell for the earth nation to completly fail in LoK season three)? She subdues them, and then ties them to the train tracks with a very implied 'join me or die' threat. Like she was going to leave them tied down there, on the tracks, for the next train that comes through to run them over.
Camps that were heavily implied to be much worse, as she was literally doing a earth nation supremacy thing.
She is outright a fascist, but also very much what a liberal thinks a fascist is.