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[-] homesweethomeMrL@lemmy.world 135 points 1 day ago

For anyone unaware, the "music industry" had a brief period around 1960-1978 where they led youth culture and brought some decent artists to the fore, including [everyone]. Which was ironic as they started mostly as a goof by rich people or a front by the mafia.

A "record deal" was always a sucker's deal because they'd loan you $300,000 or whatever and then decide how much you'd paid them back over however many years you made them money. The companies didn't buy videos or tour buses or billboards or anything -they fronted the money and the artist paid for that, usually without knowing it.

Around 1980, in a coke-fueled bender that lasted over a decade, they decided "fuck it" and just screwed everyone they could for every dollar they could. Fortunately, they were so stupid and up their own asses that mp3s destroyed them after a decade of them trying to decide who was going to get fucked more than who else. (Anyone remember the DAT wars?)

Billions were made but the artist usually only saw a small fraction of that because record companies were "riding the gravy train" and living fat off all the money. Nothing has changed. No one is going to wake up. It was always this bad. It's just that being a touring musician used to be at least a job and a career and now it's pretty rare.

If it helps, think of it like this - there's no one in any seat of real power in the "music industry" who is a musician. They don't give a shit about what they're selling, it could be cow pies for all they care - they'd look and act exactly like they do now because it has 100% nothing to do with music. It's just marketing a persona and bilking them for all they can.

And it's been that way the entire time. Yes, there are exceptions, but not many.

[-] UnderpantsWeevil@lemmy.world 10 points 1 day ago* (last edited 1 day ago)

there’s no one in any seat of real power in the “music industry” who is a musician.

That's not strictly true. A number of popular musicians started their own labels and cultivated their own talent. Dr. Dre, Hay-Z and Beyonce, Snoop Dog, NIN, The Beetles and Rolling Stones, Eminem, Madonna, Mackelmoore...

What's really changed over time is distribution. Digital music has huge margins, but prying them out of the near monopoly of Spotify and YouTube is much harder than simply selling CD/Vinyl copies of your songs at your shows

[-] droporain@lemmynsfw.com 8 points 1 day ago

Who could forget the infamous rapper, Hay-Z. Creater of classic albums such as "The FarmPrint, and The Dirt Album".

[-] 0ops@lemm.ee 1 points 9 hours ago

Huh, coulda sworn that was Alice in chains

[-] droporain@lemmynsfw.com 1 points 8 hours ago

Your thinking of another barn yard hit "The Rooster" by Alice in Overalls.

[-] surph_ninja@lemmy.world 10 points 1 day ago

That “fuck it” era is Reaganism. Every industry did the exact same thing at that time.

[-] Absaroka@lemmy.world 59 points 1 day ago* (last edited 1 day ago)

Back during the Napster days, Howard Stern had the Foo Fighters on. He asked them what their thought of the whole Napster vs. Metallica legal debate.

Dave Grohl told him he was 100 percent for Napster, explaining that they barely made a dime from record sales, and instead made the bulk of their money from touring and t-shirt sales. And that very few musicians were in the same boat as Metallica, actually making money from their album sales.

So from that point of view, the more people who were exposed to their music meant the more folks who might want to go see them in concert.

[-] Semi_Hemi_Demigod@lemmy.world 13 points 1 day ago

The best argument I ever heard in favor of Napster was that songs were already being given out for free all the time on the radio. What's the difference if they're being given out for free online?

I was made aware of the fact that touring and merch is the bulk of how bands make money by the documentary The Other F Word. It followed around a bunch of aging punk rockers from Rancid and Goldfinger and other bands.

[-] GenderNeutralBro 30 points 1 day ago

I spent more money on music during the Napster days than any other time in my life. I discovered so much that I otherwise never would have been exposed to. I bought CDs, I went to concerts, I bought the T-shirts of bands I only listen to because of Napster.

[-] surph_ninja@lemmy.world 6 points 1 day ago

And the irony was that Metallica got their big break because people were trading bootlegs of their tapes around.

[-] MeekerThanBeaker@lemmy.world 23 points 1 day ago

Movie industry as well. People with the money don't care about the product as long as it makes them more money.

Or if they do care, they interfere with the artist's vision to put in their own thoughts when they have no education or experience in filmmaking.

Then we end up getting the Emoji movie in theaters.

[-] HobbitFoot@thelemmy.club 20 points 1 day ago

Right before MP3's, record labels treated a lot of their albums as products to sell. This required a marketing budget to go along with it including a lot of promotional material like music videos and concert tours for promotional purposes. The drop in revenue due to MP3's killed that model and it never returned.

Concert tickets are so expensive because record labels took control of that part of the revenue stream to find their promotion/marketing business. And promotion is no longer a small activity run by a band's groupies. The reason that Trent Reznor signed with a new label after he went independent was because he wasn't able to compete with the marketing arms of these companies.

[-] yetiftw@lemmy.world 15 points 1 day ago

I fear this is happening to every industry

[-] Semi_Hemi_Demigod@lemmy.world 11 points 1 day ago

🌈 E N S H I T T I F I C A T I O N

[-] Valmond@lemmy.world 10 points 1 day ago

Ouch, just like video game industry :-/

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[-] surph_ninja@lemmy.world 6 points 1 day ago

We need to subsidize UBI for artists to live with dignity.

[-] Dupree878@lemmy.world 52 points 1 day ago

I have no idea who these women are but the music industry knows what it is. And it’s gotten worse. And it doesn’t care. The industry needs to die and art profits should go to the artist.

It needs to be illegal for record companies to get rights for anything other than distribution.

If your band is signed with Polygram you can’t even record a duet with an artist on another label without paying Polygram royalties for a song that is not your band’s and has nothing to do with them.

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[-] Supervisor194@lemmy.world 130 points 2 days ago

Why would this be a wake up call for the music industry? This shows they are operating at peak efficiency!

[-] humble_pete_digger@lemm.ee 32 points 1 day ago

Ya. They don't care.
And now they got a permission to not do anything at all as artists can make money from side hustles.

We as a alsociety failing to fight the predatory business models.

[-] pennomi@lemmy.world 183 points 2 days ago

I was under the impression that while streaming was garbage for money that touring was the cash cow. Apparently it’s a loss for these artists. It makes me sad that all the profits get vacuumed up by everybody but the artist.

[-] Damage@feddit.it 89 points 1 day ago

It makes me sad that all the profits get vacuumed up by everybody but the artist.

The average worker experience

[-] can@sh.itjust.works 122 points 2 days ago

Those days are over sadly. Ticketing and venues are largely consolidated now.

[-] rc__buggy@sh.itjust.works 55 points 2 days ago

It's got to be the ticketing taking too much vig, right? I hear these stories about $300 tickets, I haven't been to a concert in years but in the 2000's touring was where the money came from. With $45+ticketmaster tickets.

They have to be sucking all the money out at point of sale

[-] astanix@lemmy.world 44 points 1 day ago

Just look at ticket prices on ticketmaster for a US show and compare it to the cost of an international venue.

When I was pricing David Gilmour it was literally cheaper to buy a plane ticket and fly from NY to Rome and go to the show there than get the worst seats in Madison Square Garden.

[-] Dupree878@lemmy.world 30 points 1 day ago

Because Ticketmaster and it’s venues are a monopoly. Pearl Jam tried to warn us 30 years ago.

[-] Dupree878@lemmy.world 16 points 1 day ago

The ticketing company owns all the venues now and they own the secondhand scalper sites so they allocate a bunch of tickets to the secondhand site and mark them way up plus they can charge whatever they want for the venue and only pay the artist what they were contracted for

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[-] themeatbridge@lemmy.world 40 points 2 days ago

Touring has always been a boondoggle. Artists could make bank if they were selling out shows, but the baseline venue prices have skyrocketed out of reach for most fans. The producers, promoters, engineers, technicians, roadies, not to mention lodging, travel, and food, a lot of people expect to be paid before the artist makes a dime.

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[-] scytale@lemm.ee 31 points 2 days ago

It's why I make it a point to buy merch when I see a band I like on tour. They probably earn more from it than the actual tour itself.

[-] jonne@infosec.pub 27 points 1 day ago

Venues are taking a cut of that as well now in some cases. It's disgusting honestly.

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[-] finitebanjo@lemmy.world 52 points 2 days ago

Hold on, Lily Allen is on OnlyFans? That's wild, lol, I guess a big part of her brand of feminism is embracing sexuality or something.

Power to em, idgaf.

[-] can@sh.itjust.works 140 points 2 days ago

Lily Allen, who started selling pictures of her feet on OnlyFans over summer. She had the idea after seeing that her feet had a perfect five star rating on WikiFeet, a photo-sharing foot fetish website. Subscribers pay £8 a month to access her posts. In October, Allen claimed that shots of her well-pedicured trotters were earning her more money than Spotify streams – and that’s saying something, considering Allen has over 7 million monthly listeners and more than a billion streams on her top three songs.

Feet pics apparently.

In another thread someone said Spotify is paying out 17k per month for her streams. And that's only Spotify. If she's making more on OF, that means there are a lot of foot people and the music royalty situation is completely fucked up, because I don't think the money ends up with her.

[-] GoodEye8@lemm.ee 29 points 1 day ago* (last edited 1 day ago)

I remember reading that Spotify pays out around 4k per day (~120k per month) for her streams but the majority of that payout goes to the rights holder and Allen gets pennies. I think Spotify is paying a reasonable amount (at least in my opinion but I'm far from an expert on the matter) and the music industry is the one screwing her over.

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[-] halcyoncmdr@lemmy.world 28 points 1 day ago

To be fair, artists are one of the original intended uses for OnlyFans. While it is sexually focused now, that's more a side effect of it being one of the very few creators subscription sites at the time it started up.

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this post was submitted on 26 Nov 2024
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