this post was submitted on 02 Aug 2025
53 points (98.2% liked)

Movies & TV

23448 readers
211 users here now

Rules for Movies & TV Discussion

  1. Any discussion of Disney properties should contain a (cw: imperialism) tag. If your post isn't tagged appropriately it will be removed.

  2. Anti-Bong Joon-ho trolling will result in an immediate ban from c/movies and submitted to the site administrators for review.

  3. On Star Trek Sunday only posts discussing how we might achieve space communism are permitted. Non-Star Trek related content will be removed and you will be temporarily banned until the following Sunday.

Here's a list of tons of leftist movies.

AVATAR 3

Perverts Guide to Ideology

founded 5 years ago
MODERATORS
53
28 Years Later (hexbear.net)
submitted 9 months ago* (last edited 9 months ago) by Yanqui_UXO@hexbear.net to c/movies@hexbear.net
 

Huuuge fan of 28 Days Later, the rest is still decent, without too much scrutiny, but.

28 Years Later has an amazing soundtrack, almost entirely written by the Young Fathers. And they do GY!BE's East Hastings at the end. So that was certainly very pleasant.

But I couldn't shake off the feeling, maybe biased by looking at the state of the UK these days, that this is a movie by a dying culture for a dying culture. Which is in its own way poetic and beautiful, considering it's a zombie movie.

28 Days Later was about people, and how bad (or good) they can be, not about zombies. And in this new one, it's cool music, and cool camera work, and Ralph Fiennes covered in iodine, but it's just death, death, death for its own sake. It really stops making sense toward the end unless you're into euthanasia. Just a strange cult and a memorial to death.

top 19 comments
sorted by: hot top controversial new old
[–] came_apart_at_Kmart@hexbear.net 28 points 9 months ago (1 children)

I kinda dug it. it was weird and felt disturbing, the same way I felt walking out of the theater after 28 Days Later.

Days was a shocking movie at the time. like an art house zombie flick, a genre that it helped recharge, where the zombies were faster than they had ever been, and the infection was somehow even faster. it was a story about how the old institutions were poison and the only hope was to build something new.

28 Weeks Later was basically a rehash of all the commercial, big budget zombie movies. the entire story was paint by numbers and we all knew where it was going.

28 Years was something new and unsettling. a world that isolated Britain and went on about the business of modernity sacrificing the minimum of resources and men to tie off a fetid wound, allowing it to go dark and become strange, an array of quasi compartmentalized petri dishes devolved and mutilated... making it weird and familiar, atavistic, timeless, and haunted by a new natural law. seriously, wtf was with the birds and herds, seemingly commanded by the alphas.

the world has no interest in cleaning this wound and actually eradicating the threat, rather contented to mostly ignore it... which feels way too real, because that means the threat for what is happening on Britain to expand outward persists.

the way it was all bookended with the Jimmys gave it a frame story vibe. I didn't care for their parkour-ish ultra violence, but my assumption is that they represent the surreal ultraviolence of the last generation raised on television during the collapse, like some kind of critique of media saturation. the opening scene was one of the most unsettling, the parents locking their kids in with the Teletubbies and keeping them ignorant as everything is clearly going to shit.

supposedly there's a Part 2 to this one that may flesh all that out more.

anyway, all that said, it felt like a return to form in the sense that it was not paint by numbers. it had a surreal, dreamlike quality that picked at the scabbed over wounds of our world the way 28 Days did and left me feeling... weird and disturbed at its conclusion.

full disclosure, I am a big fan of when Boyle and Garland work together and think Sunshine is their opus. it's a high concept Sci Fi/horror that is executed with far more complexity and poignancy than its basic premise would have under anyone else.

[–] Assian_Candor@hexbear.net 10 points 9 months ago (1 children)

Really want to watch it now

[–] Assian_Candor@hexbear.net 4 points 9 months ago

Just watched the first part what is wrong with these dumbasses why would they go there lol

Like if you want a rite of passage just sail out past the reef like Moana lol no wonder the rest of the world quarantined your asses

[–] Sasuke@hexbear.net 21 points 9 months ago (2 children)

it's just death, death, death for its own sake

The key is how the boy learns to confront death (and life) through his father contra his mother.

To his father, it's a "kill or be killed" kind of world. He tells himself that living is about survival, thriving on the violence it necessities and the glory that comes with it. Outside, he confronts death as a means of survival; at home, he avoids it.

The village they live in is built on the same principle. They have their own mementos to death, but these mementos, like the rituals around hunting, exists to ensure them that death, through violence and isolation, can be kept at bey.

When the boy arrives with his dying mother at the skull temple, he has to confront death in a way that his father and the village has ceased to do. In the village, the only graves we see are simple crosses near the gate; they're not so much in memory of the dead, as they're a warning of the danger that lurks outside the village. The temple, on the other hand, is built on remembrance: not of death as an end to life, but of the dead as living human beings.

Memento mori, Memento amoris.

I think it's basically about maintaining some semblance of humanity in a world that, having grown accustomed to death, has embraced barbarism thinking it's the only means of survival.

[–] KuroXppi@hexbear.net 4 points 9 months ago

I like this take, it's given me a new appreciation for the ralph fiennes act of the film

[–] Yanqui_UXO@hexbear.net 2 points 9 months ago

I like that

[–] JoeByeThen@hexbear.net 16 points 9 months ago* (last edited 9 months ago) (1 children)

Momento Mori messages feel pretty off coming from a culture in the midst of implementing various methods of eugenics.

[–] uSSRI@hexbear.net 9 points 9 months ago (1 children)

That's why the builder of the shrine is such a misunderstood person and shunned, I think. He's the only one looking at the true reality of the violence and death, and one of the few giving a reverence to life beyond mere survival in the moment.

[–] JoeByeThen@hexbear.net 6 points 9 months ago (1 children)

Oh, I don't mean in the movie. I mean in this hellscape we live in.

[–] uSSRI@hexbear.net 5 points 9 months ago

Ohhhhhhhhhhhhhhhh. Yeah very true, its a fucking nightmare.

[–] IWW4@lemmy.zip 11 points 9 months ago (1 children)

It really stops making sense towards the end unless you're into euthanasia. Just a strange cult and a memorial to death.

Overall I appreciate Danny Boyle’s work but he stumbles with endings.

[–] Yanqui_UXO@hexbear.net 12 points 9 months ago (1 children)

So true. The best part of 28 Weeks Later is the opening scene he directed before giving up the reins.

[–] HexReplyBot@hexbear.net 2 points 9 months ago

I found a YouTube link in your comment. Here are links to the same video on alternative frontends that protect your privacy:

[–] segfault11@hexbear.net 10 points 9 months ago

more like 28 dicks later

[–] un_mask_me@hexbear.net 9 points 9 months ago (1 children)

The music really set the mood, and I appreciated the sense of creeping anxiety that it had. It very much felt like a movie adaptation of The Forest and Sons of The Forest games, though. The ending with the blondes was really weird, and kind of unnecessary unless they're making another movie. I kept thinking that

major spoilerthe kid had just left an asymptomatic infant in a village, like the mom in 28 weeks just waiting to infect someone. I don't understand why zombies would procreate anyway, since the virus is spread faster through fluids.
Maybe I'm just overthinking it. Still enjoyed it for the most part.

[–] triplenadir@lemmygrad.ml 9 points 9 months ago (1 children)
[–] un_mask_me@hexbear.net 7 points 9 months ago* (last edited 9 months ago)

Oh dang I totally missed that, thanks. January next year with original Jim, interesting.

[–] boiledfrog@hexbear.net 4 points 9 months ago (1 children)

Should I watch 28 weeks later first or can I skip that one?

[–] Nacarbac@hexbear.net 9 points 9 months ago

It's not necessary, the first sets up the premise and then none of them have any connections - 28 Years Later even has a little bit at the start that sorta says "28 Weeks Later didn't fucking matter, moving on".